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Children of the New World

How Assia Djebar's Novel Children of the ***** World (1962) Contributes to Our Knowledge of the Algerian Experience

***** Djebar's novel ***** of the New *****, first published in 1962 (***** French) despite its being a work ***** fiction, contributes powerfully and in many important ways to our knowledge of the Algerian Experience. This ***** also powerfully describes ***** circumstances, and the high human cost, of the Algerian War for Independence in particular, which lasted for six years, taking place between late 1954 ***** late 1962.

The action of Children ***** ***** New World (1962), however, instead takes place within just one day. In this brief period, moreover we are provided a vivid account of the lives ***** various characters inhabiting a small Algerian mountain *****wn, Blida, in 1956, two years into the Algerian ***** for Independence, and against French colonialism.

It is through Djebar's characters' interactions and interpersonal relationships that we come to better understand life during ***** war in Algeria at ***** time; the effects of the war upon its people, and the ***** psychological and human cost of forced regime change, and ***** war ***** general. Djebar shows her characters in the most trying of circumstances, and (as often happens in ***** and in life itself) the identities and natures of the book's heroes and villains alike are continually surprising.

Djebar begins Children of the ***** World (*****) with an account the death of ***** old woman, one ***** myriad civilian casualties of the Algerian War. This woman is killed right outside her own house, standing in her courtyard, in fact, and is simply in ***** wrong place at the wrong time when a stray bomb fragment falls on *****. This powerful beginning of ***** novel foreshadows what will turn out to be ***** of ***** major themes: that of the enormous ***** often gratuitous cost of war: on an entire society *****d, by association, on all of *****ity.

***** Djebar's Children ***** the New World (1962) is clearly a feminist *****s well an *****ti-col*****ial book, although never predictably, simplistically, or uncomplicatedly so. This novel, for example, features women and men of all types, i.e., a cross-section (********** a limited one) ***** mids-1950's Algerian *****. The ***** are, for example, an eclectic mix of feminist ***** traditional women; of scholarly men and men who are merchants; ***** of both supporters and opponents ***** Algerian independence.

Many *****s Djebar's characters' motives and actions are ironically *****, which further underscores the idea that, especially in a time of w*****r, neither others' appearances nor one's own assumptions about others are necessarily reliable. For instance, ***** a political radical, as Djebar demonstrates *****ly at one point, does not always make a man into a feminist ***** well; and a wo***** ***** wears a veil is not necessarily less courageous, in her own moment ***** truth, than is one who wears western clothing.

And, although the majority of Djebar's female characters are symp*****hetic *****, an ***** inform*****t,

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