Essay - Church Wall Paintings in Early Christianity Visual Analysis and Discussion...


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Church Wall Paintings in Early Christianity

Visual Analysis and Discussion of a Work of Art

Artwork found in the churches *****nd rema*****s ***** churches of early ***** is an expression of the morals and beliefs of the early Christian Church and doctrine. Looking to the work titled "fresco wall painting in the apse of a church," depicts a scene of ***** risen Christ who is *****bove the church, the angels in heaven, and first and beyond all other earthly creatures. The work, in addition ***** being art, is a v*****ual rendering ***** the ***** and faith, and, in early Christianity, art on church walls, accord*****g to Pamela Sheingorn's (DATE) translation of The Book of Sainte Foy, and Rudolph Carel Goldschmidt (1940), served ***** create a pictorial for those individuals not able to read. Thus, when we look at early *****s on the walls ***** *****, such as that mentioned above, ***** see ***** just that which serves to remind ***** viewer that Christ is over the church, one looks up to view Christ; but also an image ***** captures ***** winged cow, so that the viewer knows, too, ***** Christ st*****ds as the authority over paganism. Christ is, as depicted by the figure at the "foundation" of the church wall, ***** foundation, the building, and over it.

If the painted scenes and figures on the plaster walls were in better condition, we ***** a brilli*****nce in the colors *****se beauty would serve to inspire awe in the **********. The sense of awe helps the viewer understand the ***** of that ***** faith inspires, and to exemplify the ultimate sensation, beauty of the truth in the sacrifice made on behalf of Christians. Once the viewer, presumably many ***** whom ***** unable to read, was drawn by the vibrancy of ***** ***** above ***** around them, then they would begin to more closely examine the specific images.

***** see that the figure ***** Christ is dressed in traditional Jewish garb bearing weaved patterns that are found in early depictions of the life ***** *****. Except for the cobalt blue color of the sky, the colors are earth t*****s, more easily obtained by ***** artis*****. There is less emphas***** on the exactness of ***** physical facial features of Christ. The greater emphasis, thus, is not on the image itself, but on ***** Word of God, which is contained in the book resting on the knee of *****. There *****, *****, an *****gel near Jesus, who, too, holds a *****, presumably the ***** of *****.

The surface upon which ***** images ***** ***** has given way to time, and there is substantial flaking causing a loss ***** much of the peripheral images. The spaciousness of the ceiling image of Christ seated above the church, gives a sense of the v*****stness ***** which ***** rules the heavens and earth. The *****s directly beneath Christ, appearing ***** the *****ation ***** ***** Church, appear to be the angels ***** serve God, because ***** are not in the

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