Essay - Literature Newborn Thrown in the Trash Dies John Edgar Wideman's...

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***** Thrown in the Trash Dies

***** Edgar Wideman's short story, "newborn thrown in trash and dies" uses a very distinctive point of view for dramatic effect and irony. The ***** uses the viewpoint of an unwanted baby, thrown into a ***** shoot. The b*****by's last moments make up ***** story, from the baby's own internal point of view. Not only is this a unique ***** of view, it is also very emotional and moving. Thus, Wideman uses this point of view to make the impact of his s*****ry even more dramatic, dark, and depressing.

This disturbing and graphic story opens with a first-person point ***** view that sounds rational and bitter at ***** same time. The first lines of the story indicate what is to come, just not to who, or why. Wideman writes, "They say you see your ********** life pass in review ***** instant before you die. How would they know? If ***** die after the instant replay, you aren't around to tell anyone anything" (Wideman 1396). Thus, the reader is prepared for something unpleasant to occur, but it is ***** clear just how unpleasant that ***** going ***** be. In fact, the actually premise of the story does not ***** until much later, ***** already the viewpoint draws the reader in, and makes *****m want to know more about ***** intelligent and embittered character.

There are times ***** the narration is funny or amusing, as long as ***** reader does not ***** what is coming next. The author uses humor in his ***** the ***** way he uses the po*****t ***** view, to jar ***** reader. Using humor ensures the reader will be even more affected by the reality that comes after the humor. This story in ***** is ***** funny at all; it ***** tragic. By us*****g humor, ***** author ***** the situation even more unfortunate, and that makes it even more remarkable to ***** reader. For example, early in the s*****ry he *****, "***** end is the end. And what you know at the end goes d***** the tube w*****h you. I can speak to you know ***** because I haven't reached bottom yet. I'm on my way, faster than I want to be traveling and my journey won't take long" (Wideman 1396). Without the context of ***** rest of the story, this just seems like any o*****r bitter and jaded individual who has reached the end of their life and is not ready for it to be over. In fact, the ***** words appear humorous and wry, somehow. Th***** changes when the context of the s*****ry becomes ***** - these are the thoughts of a dying baby on its way down a tr*****sh chute. When that is established the talk take ***** a new meaning, ***** that is exactly what the author intended. He needed to wake up pr*****essors ***** situations they might ***** even think were possible. ***** using this point of view, he certainly does just that, and it is


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