Essay - Literature Newborn Thrown in the Trash Dies John Edgar Wideman's...


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Literature

***** Thrown in the Trash Dies

***** Edgar Wideman's short story, "newborn thrown in trash and dies" uses a very distinctive point of view for dr*****matic effect and irony. The ***** uses the viewpoint of an unwanted baby, thrown into a trash shoot. The baby's last moments make up ***** story, from the ***** own internal point of view. Not only is this a unique ***** of view, it is also very emotional and moving. Thus, Wideman uses this point ***** view to make the impact of his story even more dramatic, dark, and depressing.

This disturbing and graphic ***** opens w*****h a first-person point of view that sounds rational and bitter at ***** same time. The first lines of the story indicate what is to come, just not to who, or why. Wideman writes, "They say you see your whole life pass in re***** ***** instant be*****e you die. How would they know? If you die after the instant **********, you aren't around to tell anyone anything" (Wideman 1396). Thus, ***** reader is prepared for something unpleasant to occur, but it is ***** clear just how unpleasant that is going to be. In fact, the actually premise of the story does not come until much later, but already the view***** draws the reader in, and makes them want to know ***** about this *****telligent and embittered character.

There are times ***** the narration is funny or amusing, as long as ***** reader does not ***** what ***** coming next. The auth***** uses humor in his story the ***** way he ***** the po*****t of *****, to jar the *****. Using humor ensures the reader will be even more affected by the reality that comes after the humor. This story in ***** is ***** funny at all; it ***** tragic. By us*****g humor, ***** author ***** the situation even more unfortunate, and that makes it even more remarkable to ***** reader. For example, early in the story he wr*****es, "***** end is the *****. And what you know at ***** end goes d***** the tube with you. I can speak to ***** know only because I haven't reached bot*****m yet. I'm on my way, faster than I want to be travel*****g and my journey won't take long" (***** 1396). Without the context of ***** rest of the *****, this just ********** like any other bitter and jaded individual who has reached the ***** of their life and is not ready for it to be over. In fact, the jaded words appear *****ous ***** wry, somehow. Th***** changes when the context of the story becomes clear - these are the thoughts of a dying ba***** on its way down a tr*****sh chute. When that is established ***** talk take on a new meaning, and ***** is exactly what the author intended. He needed to wake ***** pr*****essors ***** situations ***** might not even think were possible. ***** using th***** point of view, he certainly does just that, ***** it is

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