Essay - Literature Newborn Thrown in the Trash Dies John Edgar Wideman's...


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Literature

Newborn Thrown in the Trash Dies

John Edgar Wideman's short story, "newborn thrown in trash and dies" uses a very distinctive point of view for dr*****matic effect and irony. The ***** uses the viewpoint ***** an unwanted baby, thrown into a tr*****sh shoot. The baby's last moments make up the story, from the ***** own internal point of view. Not only is this a unique point of view, it is also very emotional and moving. Thus, Wideman uses this point ***** view to make the impact of his ***** even more dramatic, dark, and depressing.

This disturbing and graphic s*****ry opens with a first-person point of view that sounds rational and bitter at the same time. The first lines of the story indic*****e what is to come, just not to who, or why. ***** writes, "*****y say you see your whole life pass in review the instant be*****e you die. How would they know? If ***** die after the ***** replay, you aren't around to tell anyone anything" (Wideman 1396). Thus, the reader is prepared for something unpleasant to occur, but it is not clear just how unpleasant that is going to be. In fact, the actually premise of the story does not come until much later, but already the view***** draws the reader in, ***** makes them want to know more about ***** *****telligent and embittered character.

***** are times ***** the narration is funny or amusing, as long as ***** reader does ***** know what ***** coming next. The author uses humor in his story the same way he uses t***** point of *****, to jar the *****. Using humor ensures ***** reader will be even more affected by the reality that comes after the humor. This ***** in ***** is not funny at all; it ***** tragic. By us*****g humor, the author makes the situation even ***** unfortunate, and that makes it even more remarkable to the *****. For example, early in the s*****ry he *****, "The end is the end. And ***** you know at the end goes down the tube w*****h you. I can speak to ***** know only because I haven't reached bottom yet. I'm on my way, faster than I ***** to be traveling and ***** journey won't take long" (Wideman 1396). Without the context ***** the rest of the story, this just *****ms like any other bitter and jaded individual who has reached the ***** of their life and is not ready for it to be over. *****n fact, the ***** words appear humorous and wry, somehow. That changes when the context of the story be***** clear - these are the thoughts of a dying baby on its way down a tr*****sh chute. When that is established ***** talk take ***** a new meaning, ***** ***** is exactly what the ***** intended. He needed to wake up professors ***** situations ***** might ***** even think were possible. ***** using ***** point of view, he certainly does just that, and it *****

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