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MADAME BOVARY

Summary: This is a p*****per that outlines the casting and directing style of three directors for ***** film Madame Bovary. It has sources in MLA format.

INTRODUCTION

***** Flaubert's 1856 novel, Madame ***** ***** been a masterpiece ***** literature during the 19th ***** 20th century. Flaubert's motive for writing the novel has been to address the pretentious middle class and how the society has created ***** central character and heroine Emma Bovary. Her sexual escapades and the dull country life with her doc*****r husb***** depict the kind of ***** people live without much aspiration ***** real happiness. The novel not only inspired theatrical performances but also *****s. From the beginning ***** the ***** century to the end of ***** *****, Madame ***** underwent several change and interpretation. Each romanticized the story line through intricate costume designs, background stage design ***** mostly ***** choice ***** the actress who would be Bovary [Rey, 1992].

Synopsis:

***** ***** is the story of a young convent country girl aspiring to live a gr*****nd life. However, she gets married ***** a country doctor, who did ***** return ***** excitement for grandeur or life of the upper class. When she seems to demonstrate erratic behavior after seeing a gr*****nd ball at a m*****nsion, her *****and decided she needed ***** interact with ***** world. They moved to a large town where she gave birth to a daughter. She has her first affair with clerk, Leon. When he leaves for Par*****, she ends up having an affair ***** the local aris*****crat Rodolphe. A turn of event made her indebt to the credi*****rs. Meanwhile she grows bored with Rodophe and re-ignited ***** affair with Leon. In the end ***** is desperate ***** money so ***** she goes to Rodolphe asking for *****. When he refused, she committed suicide.

*****

The Directors:

Three renowned directors will be focus of this discussion. ***** are Jean Renoir [1934], Vincente Minnelli [1949] and Claude Chabrol [*****]. Each took a different ********** to ***** novel based on the different st*****ing *****y had during their careers.

Jean Renoir:

***** Renoir, one of the French most admired director known ***** his casual approach to the elements of cinema*****graphy. Renoir's approach to Madame Bovary ***** been no different. Legend ***** it that Renoir got the offer for ***** Bovary over ***** ph***** and ***** that he wrote the screenplay ***** directed his movie in parts of Lyon. The short duration of the development ***** the ***** demonstrate ***** concentration it received from the director. Despite the casual attitude, ********** Madame Bovary had been a pet project for Renoir.

***** often lets the details to become the invisible background and bring the cast to the **********, giving the impression of *****istic cinema *****. In Madame Bovary he chose Valentine Tessier with the deliberation ***** portray has a woman ***** not as the young ***** portrayed in ***** book by Flaubert. ***** has partly ***** with the motive to explore *****atrics with *****. ***** had theatrical background

. . . . [END OF DISSERTATION PREVIEW]

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