Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque ***** primarily tries to create a feeling of continuity rather than tell a story through ***** developing, evolving, or shifting use of melody. In Baroque pieces, the opening melody will be heard over and ***** again in the course of the piece. Many ***** melodies are quite ornamental and elaborate while Classical melodies are much less adorned, and much easier to play and ***** remem*****r ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics ***** Baroque *****," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with the use ***** more within the different movements of the piece.

Rhythm: Baroque works are characterized by ***** of rhythm. Rhythmic patterns heard at the beginning ***** the piece ***** reiterated many times *****out the *****. The music sounds like it is pushing forward in an uninterrupted fashion, in contrast to ***** more flexible use of rhythm in Classical music ("Characteristics of ***** Music," Thinkquest.org, *****; "Characteristics of Baroque Music," Thinkquest.org, 2007).

*****: Beca***** of the frequent use ***** polyphonic texture, the use of two different melodic lines that im*****ate one another, harmony is an important characteristic of Baroque pieces. ***** ***** continuous and similar *****s of melody and rhythm in ***** music means that Baroque harmonies are less varied ***** in ***** pieces ("***** of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007).

Texture: ***** ***** makes ***** use of polyphonic texture, where two or more melodic lines compete for the listener's attention, ***** Classical music is basically homophonic or singular in texture and melody.

*****: Classical works tend ***** favor *****ms that allow for many different movements, such as the sonata. Cl*****sical forms usually reach a kind ***** dramatic climax followed by a resolution. Cl*****ssical works also have a more articulated internal structure. Baroque ***** tend to have clear breaks ***** a single mood within pieces, with contrasts established only through different works ("Musopen: Music His*****ry Baroque," Musopen, 2007)

Dynamics: Dynamics are very ***** in ***** *****, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because they often have a slight p*****use, almost like stepping up or down a step and gradual changes are almost nonexistent in ***** music. Classical music makes a much wider use of in-between dynamic changes ("***** of Baroque *****," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

When and how it is *****d: The Sonata ***** form developed during ***** ***** era. It is a three part form, known as an ABA *****. ***** first part ***** called the exposition, the second section, the development ***** material from the exposition, where the melody or themes from the exposition are deployed by the composer in a different way, and f*****ally, there is a rec*****pitulation, ***** the first section is repeated ("Sonata-Allegro Form," Mr. E's Music Classroom: **********, 2007). The exposition tends to be ***** resolved, atonal, and d*****cordant in sound. The form was used to

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