Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque music primarily tries to create a feeling of continuity rather than tell a story through ***** developing, evolving, or shifting use of melody. In Baroque pieces, the opening melody will be heard over and over again in the course of the piece. Many Baroque melodies are quite ornamental and elaborate while Classical melodies are much less adorned, ***** ***** easier to play and to remem*****r ("Characteristics of Baroque Music," Th*****kquest.org, 2007; "Characteristics of Baroque *****," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with the ***** ***** more within ***** different movements ***** the piece.

Rhythm: Baroque works are characterized by ***** of rhythm. Rhythmic patterns heard at the beginning ***** the ***** ***** reiterated many times throughout the piece. The music sounds like it is pushing forward in an un*****terrupted fashion, in contrast to the more flexible use of rhythm ***** Classical music ("Characteristics of ***** Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007).

*****: Beca***** of the frequent use of polyphonic texture, the use ***** two ***** melodic lines that imitate one another, harmony is an important characteristic of Baroque pieces. ***** ***** continuous ***** similar *****s of melody and rhythm in ***** music means that Baroque harmonies are less varied ***** ***** ***** pieces ("***** of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007).

Texture: ***** music makes ***** use of polyphonic *****, where two or more ***** lines compete for the listener's attention, while Classical music is basically homophonic or singular in texture ***** melody.

Form: Classical works tend ***** favor ********** that allow for many different movements, such as the sonata. Cl*****sical forms usually reach a k*****d ***** dramatic climax followed by a resolution. Classical ***** also have a more *****rticulated internal structure. Baroque ***** tend to have clear breaks and a single mood within pieces, with contrasts established only through different works ("Musopen: Music His*****ry Baroque," Musopen, 2007)

Dynamics: Dynamics are very clear in ***** music, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because *****y often have a slight pause, almost like stepping up or down a step and gradual changes ***** almost nonexistent in Baroque *****. ***** music makes a much wider use of in-between dynamic changes ("Characteristics of Baroque Music," Thinkquest.org, *****; "Characteristics ***** Baroque *****," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

When and how it is *****d: The Sonata ***** form developed during the Classical era. It is a three part form, known as an ABA structure. ***** first part ***** called the exposition, the second section, the development of material from the *****, where the melody or themes ***** the exposition are deployed by the composer in a different way, and f*****ally, there is a rec*****pitulation, as the first section is repeated ("Sonata-Allegro F*****m," Mr. E's Music Classroom: *****kit, *****). The exposition tends to be less resolved, atonal, ***** d*****cordant in sound. ***** ***** was used to

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