Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque music primarily tries ***** create a feeling of continuity rather than tell a story through a developing, evolving, or shifting use of melody. ***** Baroque pieces, the opening ***** will be heard over and ***** again in the course of the piece. Many ***** melodies are quite *****namental and elaborate while Classical melodies are much less adorned, ***** much easier to play and to remem*****r ("Characteristics of Baroque Music," Th*****kquest.org, 2007; "Characteristics of Baroque *****," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with the use melody more within the different movements ***** the piece.

Rhythm: Baroque works are characterized by continuity of rhythm. Rhythmic patterns heard at the beginning ***** the piece are reiterated many times throughout the *****. The music sounds like it is pushing forward in an un*****terrupted fashion, in contrast to ***** more flexible use of rhythm ***** Classical music ("Characteristics of Baroque Music," Thinkquest.org, 2007; "***** of ***** Music," Thinkquest.org, 2007).

Harmony: Because of the frequent use of polyphonic texture, the use of two different melodic lines that im*****ate one another, harmony is an import*****t characteristic of Baroque pieces. ***** more continuous ***** similar *****s of ***** and rhythm in ***** music means ***** Baroque harmonies are less varied than ***** Classical pieces ("Characteristics ***** Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007).

*****: Baroque music makes frequent use of polyphonic texture, where two or more ***** lines compete for the listener's attention, while ***** music is basically homophonic or singular in texture and melody.

Form: Classical works tend ***** favor ********** that allow for many different movements, such as the sonata. Classical forms usually reach a kind of dramatic climax followed ***** a resolution. Classical ***** also have a ***** articulated internal structure. Baroque ***** tend to have clear breaks ***** a single mood ***** pieces, with contrasts established only through different works ("Musopen: Music His*****ry Baroque," Musopen, 2007)

Dynamics: Dynamics are very clear in ***** music, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because they often have a slight pause, almost like stepping up or down a step and gradual changes ***** almost n*****xistent in ***** *****. ***** music makes a ***** wider use of in-between dynamic changes ("***** of Baroque Music," Thinkquest.org, *****; "Characteristics of Baroque *****," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

***** and how it is *****d: The Sonata Allegro form developed during the Classical era. It ***** a three part form, known as an ABA *****. ***** first part is called ***** exposition, the second section, the development of material from the exposition, where the melody or *****mes ***** the ***** are deployed by the composer in a different way, and finally, ********** is a rec*****pitulation, as the first section is repeated ("Sonata-***** Form," Mr. E's Music Cl*****sroom: Musickit, *****). The exposition tends to be ***** resolved, atonal, ***** d*****cordant in sound. The form was used to

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