Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque music primarily tries ***** create a feeling of continuity rather than tell a story through ***** developing, evolving, or shifting use of melody. ***** Baroque pieces, the opening ***** will be heard over and over again in the course of the piece. Many Baroque melodies are quite *****namental and elaborate while Classical melodies are much less adorned, ***** much easier to play and to remember ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with ***** use melody more within the different movements ***** the piece.

Rhythm: Baroque works are characterized by ***** of rhythm. Rhythmic patterns heard at the beginning ***** the piece are reiterated many times throughout the piece. The music sounds like it is pushing forward in an un*****terrupted fashion, in contrast to the more flexible use of rhythm in Classical music ("Characteristics of Baroque *****," Thinkquest.org, ***** "Characteristics of Baroque Music," Thinkquest.org, 2007).

Harmony: Beca***** of the frequent use of polyphonic texture, the use of two different melodic lines that imitate one another, harmony is an important characteristic of Baroque pieces. The ***** continuous and similar uses of ***** and rhythm in ***** music means that Baroque harmonies are less varied than ***** ***** pieces ("Characteristics ***** Baroque Music," Thinkquest.org, 2007; "***** of ***** Music," Thinkquest.org, 2007).

*****: Baroque music makes frequent use of polyphonic texture, where two or more melodic lines compete for the listener's attention, while Classical music is basically homophonic or singular in ***** ***** melody.

F*****m: Classical works tend ***** favor ********** that allow for many different movements, such as the sonata. Classical forms usually reach a k*****d of dramatic climax followed ***** a resolution. Classical ***** also have a ***** articulated internal structure. Baroque forms tend to have clear breaks and a single mood ***** pieces, with contrasts established only through different works ("Musopen: Music History Baroque," Musopen, 2007)

Dynamics: Dynamics are very clear in Baroque music, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because *****y often have a slight p*****use, almost like stepping up or down a step and gradual changes ***** almost nonexistent in ***** *****. ***** music makes a much wider use of in-between dynamic changes ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque *****," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

***** and how it is *****d: The Sonata Allegro form developed during the Classical era. It ***** a three part form, known as an ABA structure. ***** first part is called the exposition, the second section, the development of material from ***** exposition, where the melody or *****mes from the exposition are deployed by the composer in a different way, and f*****ally, ********** is a recapitulation, ***** the first section is repeated ("Sonata-Allegro Form," Mr. E's Music Classroom: Musickit, *****). The exposition tends to be less resolved, atonal, ***** discordant in sound. The ***** was used to

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