Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...

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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque music primarily tries ***** create a feeling of continuity rather than tell a story through a developing, evolving, or shifting use of melody. In Baroque pieces, the opening melody will be heard over and over again in ***** course of the piece. Many Baroque melodies are quite *****namental and elaborate while Classical melodies are much less adorned, and much easier to play and ***** remember ("Characteristics of Baroque Music,", 2007; "Characteristics of Baroque *****,", 2007). This greater simplicity allowed Classical composers to play with ***** use melody more within the different movements ***** the piece.

Rhythm: Baroque works are characterized by continuity of rhythm. Rhythmic patterns heard at the beginning ***** the ***** ***** reiterated many times *****out the piece. The ***** sounds like it is pushing forward in an uninterrupted fashion, in contrast to the more flexible use of rhythm ***** Classical music ("Characteristics of Baroque Music,", ***** "***** of Baroque Music,", 2007).

Harmony: Because of the frequent use ***** polyphonic texture, the use of two ***** melodic lines that imitate one another, harmony is an important characteristic of Baroque pieces. The ***** continuous and similar uses of melody and rhythm in Baroque music means ***** Baroque harmonies are less varied than in Classical pieces ("Characteristics of Baroque Music,", 2007; "***** of ***** Music,", 2007).

*****: Baroque music makes frequent use of polyphonic texture, where ***** or more ***** lines compete for the listener's attention, ***** Classical music is basically homophonic or singular in texture and melody.

*****: Classical works tend ***** favor ********** that allow for many different movements, such as the sonata. Classical forms usually reach a kind of dramatic climax followed ***** a resolution. Cl*****ssical ***** also have a more ********** internal structure. Baroque ***** tend to have clear breaks ***** a single mood within pieces, with contrasts established only through different works ("Musopen: Music His*****ry Baroque," Musopen, 2007)

Dynamics: Dynamics are very clear in ***** *****, almost jarring to the listener. Baroque dynamics are called terraced dynamics, because they often have a slight pause, almost like stepping up or down a step and gradual changes ***** almost nonexistent in ***** music. Classical music makes a much wider use of in-between dynamic changes ("Characteristics of Baroque Music,", 2007; "Characteristics ***** Baroque Music,", 2007).

Discuss the Sonata Allegro Form

***** and how it is *****d: The Sonata ***** form developed during the Classical era. It ***** a three part form, known as an ABA structure. ***** first part is called ***** exposition, the second section, the development of material from the exposition, where the melody or *****mes from the ***** are deployed by the composer in a different way, and f*****ally, there is a recapitulation, as the first section is repeated ("Sonata-Allegro Form," Mr. E's Music Classroom: Musickit, 2007). The exposition tends to be ***** resolved, atonal, and discordant in sound. ***** ***** was used to


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