Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque music primarily tries ***** create a feeling of continuity rather than tell a story through ***** developing, evolving, or shifting use of melody. In Baroque pieces, the opening melody will be heard over and over again in the course of the piece. Many Baroque melodies are quite ornamental and elaborate while Classical ***** are much less adorned, ***** ***** easier to play and to remember ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics ***** Baroque Music," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with ***** use melody more within the different movements of the piece.

Rhythm: Baroque works are characterized by ***** of rhythm. Rhythmic patterns heard at the beginning of the ***** ***** reiterated many times throughout the piece. The music sounds like it is pushing forward in an un*****terrupted fashion, in contrast to the more flexible use of rhythm ***** Classical music ("Characteristics of Baroque Music," Thinkquest.org, 2007; "***** of ***** Music," Thinkquest.org, 2007).

*****: Beca***** of the frequent use of polyphonic texture, the use of two ***** melodic lines that imitate one another, harmony is an important characteristic of Baroque pieces. ***** more continuous ***** similar *****s of melody and rhythm in Baroque music means ***** Baroque harmonies are less varied than in ***** pieces ("Characteristics of Baroque Music," Thinkquest.org, 2007; "***** of ***** Music," Thinkquest.org, 2007).

Texture: Baroque ***** makes frequent use of polyphonic texture, where ***** or more melodic lines compete for the listener's attention, ***** Classical music is basically homophonic or singular in ***** and melody.

F*****m: Classical works tend to favor forms that allow for many different movements, such as the sonata. Classical ***** usually reach a k*****d of dramatic climax followed by a resolution. Classical ***** also have a more articulated internal structure. Baroque forms tend to have clear breaks and a single mood within pieces, with contrasts established only through different works ("Musopen: Music His*****ry Baroque," Musopen, 2007)

Dynamics: Dynamics are very ***** in ***** *****, almost jarring to the listener. Baroque dynamics are called terraced dynamics, because *****y often have a slight p*****use, almost like stepping up or down a step and gradual changes are almost nonexistent in ***** music. ***** music makes a much wider use of in-between dynamic changes ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque *****," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

***** and how it is *****d: The Sonata ***** form developed during ***** Classical era. It ***** a three part form, known as an ABA *****. ***** first part is called the exposition, the second section, the development of material from ***** *****, where the melody or themes from the exposition are deployed by the composer in a different way, and finally, there is a rec*****pitulation, as the first section is repeated ("Sonata-Allegro Form," Mr. E's Music Classroom: Musickit, *****). The ***** tends to be less resolved, atonal, ***** discordant in sound. ***** ***** was used to

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