Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque ***** primarily tries to create a feeling of continuity rather than tell a story through ***** developing, evolving, or shifting use of melody. In Baroque pieces, the opening melody will be heard over and ***** again in ***** course of the piece. Many Baroque melodies are quite ornamental and elaborate while Classical ***** are much less adorned, and ***** easier to play and to remember ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque *****," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with ***** use melody more within the different movements ***** the piece.

Rhythm: Baroque works are characterized by continuity of rhythm. Rhythmic patterns heard at the beginning of ***** ***** are reiterated many times *****out the piece. The music sounds like it is pushing forward in an un*****terrupted fashion, in contrast to the more flexible use ***** rhythm ***** Classical music ("Characteristics of Baroque Music," Thinkquest.org, ***** "***** of ***** Music," Thinkquest.org, 2007).

Harmony: Beca***** of the frequent use of polyphonic texture, the use of two ***** melodic lines that im*****ate one another, harmony is an important characteristic of Baroque pieces. ***** ***** continuous and similar *****s of melody and rhythm in Baroque music means ***** Baroque harmonies are less varied ***** ***** Classical pieces ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of ***** Music," Thinkquest.org, 2007).

Texture: Baroque ***** makes ***** use of polyphonic *****, where ***** or more melodic lines compete for the listener's attention, while Classical music is basically homophonic or singular in texture and melody.

F*****m: Classical works tend ***** favor forms that allow for many different movements, such as the sonata. Cl*****sical forms usually reach a kind of dramatic climax followed ***** a resolution. Cl*****ssical ***** also have a ***** articulated internal structure. Baroque forms tend to have clear breaks ***** a single mood ***** pieces, with contrasts established only through different works ("Musopen: Music His*****ry Baroque," Musopen, 2007)

Dynamics: Dynamics are very ***** in ***** *****, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because they often have a slight p*****use, almost like stepping up or down a step and gradual changes ***** almost nonexistent in Baroque music. Classical music makes a much wider use of in-between dynamic changes ("Characteristics of ***** *****," Thinkquest.org, ********** "Characteristics of Baroque Music," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

***** and how it is *****d: The Sonata ***** form developed during ***** ***** era. It is a three part form, known as an ABA *****. ***** first part ***** called the exposition, the second section, the development of material from the exposition, where the melody or *****mes from the ***** are deployed by the composer in a different way, and f*****ally, *****re is a recapitulation, ***** the first section is repeated ("Sonata-Allegro Form," Mr. E's Music Classroom: Musickit, *****). The exposition tends to be less resolved, atonal, ***** d*****cordant in sound. ***** ***** was used to

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