Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque ***** primarily tries ***** create a feeling of continuity rather than tell a story through a developing, evolving, or shifting use of melody. In Baroque pieces, the opening ***** will be heard over and ***** again in ***** course of the piece. Many ***** melodies are quite ornamental and elaborate while Classical ***** are much less adorned, ***** much easier to play and ***** remem*****r ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics ***** Baroque Music," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with the use melody more within ***** different movements of the piece.

Rhythm: Baroque works are characterized by ***** of rhythm. Rhythmic patterns heard at the beginning ***** the piece ***** reiterated many times *****out the piece. The music sounds like it is pushing forward in an uninterrupted fashion, in contrast to ***** more flexible use of rhythm in Classical music ("Characteristics of ***** *****," Thinkquest.org, ***** "Characteristics of Baroque Music," Thinkquest.org, *****).

Harmony: Because of the frequent use ***** polyphonic texture, the use of two ***** melodic lines that im*****ate one another, harmony is an import*****t characteristic of ***** pieces. The more continuous and similar uses of melody and ***** in Baroque music means ***** Baroque harmonies are less varied ***** in Classical pieces ("***** of Baroque Music," Thinkquest.org, 2007; "Characteristics of ***** Music," Thinkquest.org, 2007).

Texture: Baroque ***** makes ***** use of polyphonic *****, where two or more melodic lines compete for the listener's attention, ***** ***** music is basically homophonic or singular in texture and melody.

F*****m: Classical works tend to favor *****ms that allow for many different movements, such as the sonata. Classical forms usually reach a k*****d ***** dramatic climax followed by a resolution. Cl*****ssical works also have a more ********** internal structure. Baroque forms tend to have clear breaks and a single mood within pieces, with contrasts established only through different works ("Musopen: Music His*****ry Baroque," Musopen, 2007)

Dynamics: Dynamics are very clear in Baroque music, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because they often have a slight pause, almost like stepping up or down a step ***** gradual changes are almost nonexistent in ***** *****. Classical music makes a much wider use of in-between dynamic changes ("***** of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

***** and how it is *****d: ***** Sonata Allegro form developed during ***** ***** era. It is a three part form, known as an ABA structure. The first part is called the exposition, the second section, the development ***** material from ***** exposition, where the melody or themes ***** the exposition are deployed by the composer in a different way, and f*****ally, *****re is a rec*****pitulation, as the first section is repeated ("Sonata-Allegro F*****m," Mr. E's Music Classroom: **********, 2007). The exposition tends to be less resolved, atonal, ***** d*****cordant in sound. ***** form was used to

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