Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque ***** primarily tries ***** create a feeling of continuity rather than tell a story through ***** developing, evolving, or shifting use of melody. In Baroque pieces, the opening melody will be heard over and over again in ***** course of the piece. Many Baroque melodies are quite *****namental and elaborate while Classical ***** are much less adorned, and much easier to play and to remember ("Characteristics of Baroque Music," Th*****kquest.org, 2007; "Characteristics ***** Baroque *****," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with ***** ***** ***** more within the different movements of the piece.

Rhythm: Baroque works are characterized by ***** of rhythm. Rhythmic patterns heard at the beginning of the piece ***** reiterated many times throughout the *****. The music sounds like it is pushing forward in an uninterrupted fashion, in contrast to the more flexible use ***** rhythm in Classical music ("Characteristics of ***** Music," Thinkquest.org, ***** "***** of Baroque Music," Thinkquest.org, 2007).

*****: Beca***** of the frequent use ***** polyphonic texture, the use of two ***** melodic lines that imitate one another, harmony is an important characteristic of ***** pieces. ***** ***** continuous ***** similar uses of melody and rhythm in Baroque music means that Baroque harmonies are less varied ***** in Classical pieces ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of ***** Music," Thinkquest.org, 2007).

*****: Baroque ***** makes frequent use of polyphonic texture, where two or more melodic lines compete for the listener's attention, ***** Classical music is basically homophonic or singular in texture and melody.

Form: Classical works tend to favor ********** ***** allow for many different movements, such as the sonata. Cl*****sical forms usually reach a k*****d of dramatic climax followed by a resolution. Classical works also have a ***** *****rticulated internal structure. Baroque ***** tend to have clear breaks and a single mood within pieces, with contrasts established only through different works ("Musopen: Music History Baroque," Musopen, 2007)

Dynamics: Dynamics are very clear in ***** *****, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because they often have a slight p*****use, almost like stepping up or down a step and gradual changes ***** almost nonexistent in Baroque music. Classical music makes a ***** wider use of in-between dynamic changes ("Characteristics of ***** Music," Thinkquest.org, 2007; "Characteristics of Baroque *****," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

When and how it is *****d: The Sonata Allegro form developed during ***** Classical era. It ***** a three part form, known as an ABA structure. The first part is called the exposition, the second section, the development ***** material from ***** exposition, where the melody or themes from the ***** are deployed by the composer in a different way, and finally, *****re is a recapitulation, as the first section is repeated ("Sonata-***** F*****m," Mr. E's Music Classroom: Musickit, 2007). The exposition tends to be less resolved, atonal, ***** d*****cordant in sound. ***** ***** was used to

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