Essay - Music History Baroque Versus Classical Style Melody: in Contrast to...


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music history

Baroque versus Classical style

Melody: In contrast to Classical music, Baroque ***** primarily tries ***** create a feeling of continuity rather than tell a story through ***** developing, evolving, or shifting use of melody. ***** Baroque pieces, the opening ***** will be heard over and ***** again in the course of the piece. Many Baroque melodies are quite *****namental and elaborate while Classical melodies are much less adorned, and ***** easier to play and ***** remember ("Characteristics of Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque *****," Thinkquest.org, 2007). This greater simplicity allowed Classical composers to play with the use melody more within ***** different movements of the piece.

Rhythm: Baroque works are characterized by ***** of rhythm. Rhythmic patterns heard at the beginning ***** the ***** are reiterated many times *****out the piece. The music sounds like it is pushing forward in an uninterrupted fashion, in contrast to the more flexible use of rhythm in Classical music ("Characteristics of Baroque Music," Thinkquest.org, ***** "Characteristics of ***** Music," Thinkquest.org, 2007).

Harmony: Beca***** of the frequent use ***** polyphonic texture, the use of two ***** melodic lines that im*****ate one another, harmony is an important characteristic of Baroque pieces. ***** ***** continuous ***** similar *****s of melody and rhythm in Baroque music means ***** Baroque harmonies are less varied than ***** ***** pieces ("***** ***** Baroque Music," Thinkquest.org, 2007; "Characteristics of Baroque Music," Thinkquest.org, 2007).

Texture: Baroque ***** makes frequent use of polyphonic texture, where two or more melodic lines compete for the listener's attention, ***** Classical music is basically homophonic or singular in ***** and melody.

F*****m: Classical works tend ***** favor ********** that allow for many different movements, such as the sonata. Classical forms usually reach a kind ***** dramatic climax followed ***** a resolution. Classical works also have a more *****rticulated internal structure. Baroque ***** tend to have clear breaks and a single mood within pieces, with contrasts established only through different works ("Musopen: Music History Baroque," Musopen, 2007)

Dynamics: Dynamics are very clear in ***** *****, almost jarr*****g to the listener. Baroque dynamics are called terraced dynamics, because they often have a slight pause, almost like stepping up or down a step ***** gradual changes are almost nonexistent in Baroque music. ***** music makes a much wider use of in-between dynamic changes ("Characteristics of ***** *****," Thinkquest.org, ********** "Characteristics ***** Baroque Music," Thinkquest.org, 2007).

Discuss the Sonata Allegro Form

***** and how it is *****d: The Sonata ***** form developed during ***** Classical era. It is a three part form, known as an ABA structure. The first part ***** called the exposition, the second section, the development of material from ***** *****, where the melody or themes ***** the exposition are deployed by the composer in a different way, and finally, there is a recapitulation, ***** the first section is repeated ("Sonata-Allegro Form," Mr. E's ***** Classroom: Musickit, 2007). ***** ***** tends to be ***** resolved, atonal, and d*****cordant in sound. The ***** was used to

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