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Poetry Explication

Robert Frost's "Wind and Window Flower" dramatizes the conflicts between stability and change, between love ***** death, and between subtle ***** dramatic strength. Personifying the wind and the *****ow flower, the poet transforms observations of the natural world into characters in a story. The n*****rrator addresses the audience directly in the first two lines, "Lovers, forget your love, / And list to the ***** of these, / She a window *****, / ***** he a winter breeze." ***** speaker proceeds to relay t***** tale of a window flower and the ***** wind, which seeks to uproot the tiny, delicate blossom. Through the story and its rich metaphors ***** imagery, the speaker evokes appreciation for natural seasonal cycles as well as ***** ***** cycles of the day. The speaker also conveys the central themes of the poem, including that ***** the triumph of love over death. ********** often symbolize eternal life, while ***** wind is often a powerful h*****rbinger of change, transformation, and death. The poem is set in the w*****tertime ***** contains imagery of frost and cold, accentuating the contrast between the winter wind and its pray, a ***** *****. In f*****ct, the flower and ***** counterpart, a "caged yellow bird," are out ***** place in th***** scene, for both colorful objects invoke spring and new ***** rather than the death and decay suggested by ***** season of winter (line 7). Furthermore, the ***** ascribes gender to the wind and ***** window flower: the former is male, ***** latter female, which underscores the symbolic aggression on the part ***** the male wind. In ***** end, the flower secures a passive victory, as it "leaned *****ide, / And thought of naught to say," (*****s 25-26). Therefore, the purpose of ***** narrative is to illustrate the potential triumph ***** humility and peace over brute force.

The poem c*****sists of seven stanzas of four lines each. Each line has ei*****r six or ***** syllables, but there is no strict regularity ***** syllables per line. The poem has a definite and compelling rhythm ***** helps dramatize the central narrative: the s*****ry of ***** wind and the ***** flower. Just as a deft storyteller will captivate h***** or her audience with ***** rhythmic intonations ***** the voice, so too does the narrator of ***** poem captivate the audience through poetic rhythm. ***** ***** stanza of the ***** differs from the rest in both meaning and in rhythm, as in this stanza the narrator addresses the audience directly as an introduction to the tale. The lines consist ***** alternating iambs, trochees, anapests ***** dactyls. For example, the first line of the poem ***** in succession a trochaic, an iambic, and an anapestic foot, w*****eas the second line contains in succession an iambic, *****, and dactylic foot. The third line differs even yet, ***** a two troch*****ic feet followed by an anapestic one. The irregularity of the meter in ***** first ***** creates suspension of the type all good storytellers want ***** order to compel

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