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Tennessee Williams' "Streetcar Named Desire" & social class theories of Karl Marx

This paper presents a det*****iled examination ***** Tennessee Williams' "Streetcar ***** Desire. The writer of this ***** holds the play up to be examined under the light of social and class theories as ascribed to by Karl Marx. There were two sources used to complete this paper.

***** in Art

Many times authors use their works o purposely dis***** a soci*****l theory or message. In Tennessee Williams' A ***** Named Desire, the author appears to have stumbled across a perfect example of the class distinction that Karl Marx, the famous social theorist" wanted denounced with his Marxism theories.

This play is a perfect ex*****mple of the *****ory Marx professed for several reasons. It is based in America, which is a capitalist country, it is about the work*****g poor ***** it depicts a ***** difference w*****hin ***** same family. Stanley ***** married to Stella and her sister Blanche comes to stay with them. Immediately we can see the perceived social and class ***** between the married couple ***** ***** *****. Marxism believed as well that class differences were more of a ment*****l and self-image issue than actual class distinction by class.

In ***** ***** Blanche tries to force Stanley to treat her like the debutante she believes herself to be. He in turn is angered by her airs and believes ***** to be nothing but a loose ***** washed up woman. This entire play is a perfect backdrop for the ********** of Marx. ***** is the typical male of ***** era. ***** is a blue-collar worker who drinks heavily and socializes with other blue collar men. Blanche is a female who believes she to be a cut above Stanley and ***** has a hard time understanding why Stella married out of her "class." Every conflict in this production as well as the mindset of all involved reflect the worldwide debate about *****es, gender systems and people equality by virtue of their hard work.

Stanley on the other hand *****lieves that ***** is no better than he is and he tries to tell h***** wife that he knows things about her. He does this in an effort ***** make her stop putting Blanche on a pedestal, ***** it fails.

The trouble with Dame Blanche was ***** she couldn't put ***** ***** act any ***** in Laurel! They got wised up after two or three dates ***** her and then they quit, ***** she goes on to an*****, the same old line, same ***** act, ***** old hooey! But ***** town was too small for ***** to go on *****ever! And as time went by she became a ***** character. Regarded as not just different but downright loco-nuts." (Williams, Scene 7, pg. 20*****).

When he confronts ***** again t***** class distinctions that our society seems to refuse to release show again. Blanche, even when faced with her own past is ever the lady, and h*****ing *****self to be a queen of

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