Essay - Walter Benjamin: the Art of Work in Age of Mechanical...

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Walter Benjamin in his article 'The Art of Work in Age ***** Mechanical Reproduction' has justified the usage of mechanical equipments for the means of production of art works. Plagiarism and copyrights have been traditional issues, the duplication of any master piece has ***** considered as a serious offence and ***** certain part of the world ***** capital punishments are awarded ***** defying copyrights.

This particular essay is with reference to duplication ***** art pieces. Through out centuries ***** h***** been driving force towards t*****e spiritual, social and economic accompl*****hment of an individual ***** society. Art has played vital role in nurturing and molding of society's frame of thoughts and application. The promotion and propagation of ***** pieces through ***** has been critical issue, some agree to it and others disagree with this notion of publicizing independently.


Walter in his text, ***** Work of Art ***** the Age of Mechanical Re*****', studies the influence ***** mechanical technologies on ***** history of art and human consciousness. He discusses the new production techniques which engender the ***** ***** of judging the original work piece. He fur*****r elaborates that the technological advancement has achieved new standards, and duplicated ***** ***** considered as original and real pieces. He concludes with the fact that human perception, *****ly optical perception, is in an ongoing state of evolution.

Walter's article ***** canonical in art history, film studies ***** related fields. Benjamin further elaborates that previously, painting or sculptures were embedded with aura, which gave a sense of absolute uniqueness ***** the **********. In the age of technology, Benjamin perceives ***** ***** uniqueness ***** art piece has diluted by the application of reproduction devices, he welcomes t***** idea of ***** without *****, i.e. promotion ***** duplicated copies. In present scenario characteristic art forms, photography and film lack the element of originality.

Benjamin supports the ***** of mechanical devices, reasoning that aura was a kind of aristocratic mystery, ***** the art develops it values on ***** basis pf ***** rather than past. ***** implementation ***** technological production means are more kind of democratic art. He writes,

The social significance ***** film, even—and especially—in its most positive form, is inconceivable without its destructive, cathartic side: the liquidation of the value of tradition in ***** cultural heritage.'(Benjamin Walter)

The art community believes that it is Benjamin's likely embracement of Communism which influenced his thoughts, and developed a soft and lenient stand towards the publication and duplication of art pieces. ***** personal circumstances only reinforced this judgment.

Benjamin suggested that technologies of mechanical reproduction and systems of mass production changed modes of human perception and evaluation, fundamentally altering our aesthetic responses.

Benjamin argues that experience of cultural imagery has ***** under dramatic influence of lithography and photography. The ***** of ***** relates necessarily to the idea of authenticity and to the work's authority, but with ***** technological r***** the ***** ***** au*****nticity and originality ***** become irrelevant. Mass re*****


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