Essay - Walter Benjamin: the Art of Work in Age of Mechanical...

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Walter Benjamin in his article 'The Art of Work in Age ***** Mechanical Reproduction' has justified the usage of mechanical equipments for the means of production of art works. Plagiarism and copyrights have been traditional issues, the duplication of any master piece has been considered as a serious offence and ***** certain part of the world ***** capital punishments are awarded for defying copyrights.

T***** particular essay is with reference to ***** of art *****s. Through out centuries ***** has ***** driving *****ce towards the spiritual, social ***** economic accompl*****hment of an individual *****d society. Art has played vital role in nurturing and molding of society's frame of thoughts and application. The promotion and propagation of Art pieces through duplication has been critical issue, some agree to it ***** others dis***** w*****h this notion of publicizing independently.


Walter in his text, ***** Work of Art ***** the Age of Mechanical *****, studies the influence of ***** technologies on ***** history of art and human consciousness. He discusses the new ***** techniques *****ich engender the ***** ***** of judging the original work piece. He fur*****r elaborates that the technological advancement has achieved new st*****ards, and duplicated ***** ***** considered as original and real pieces. He concludes with the fact that human perception, *****ly optical perception, is in an ongoing state of evolution.

Walter's article is c*****onical in art history, film studies ***** related fields. ***** further ***** that previously, painting or sculptures were embedded with aura, which gave a sense of absolute uniqueness ***** the artwork. In the age of technology, Benjamin perceives that the uniqueness ***** art piece h***** diluted by the application of reproduction devices, he welcomes the idea of art without aura, i.e. promotion of duplicated cop*****s. In present scenario characteristic art forms, photography and ***** lack the element of originality.

Benjamin supports the ***** of mechanical devices, reasoning that aura was a kind of aristocratic mystery, and the art develops it values on ***** basis pf present rather than past. ***** implementation of technological production means are more kind of democratic art. He writes,

The social significance ***** film, even—and especially—in its most positive form, is inconceivable without ***** destructive, cath*****ic side: the liquidation of the value of tradition in the cultural heritage.'(Benjam***** Walter)

The art community believes that it is Benjamin's likely embracement of Communism which influenced his thoughts, and developed a soft and lenient stand towards the publication and ***** of art pieces. Benjamin's personal circumstances only reinforced this judgment.

Benjamin suggested that technologies of ***** reproduction and systems of mass production changed modes of human perception and evaluation, fundamentally altering our aesthetic responses.

Benjamin argues that experience of cultural imagery has ***** under dramatic influence of l*****hography and photography. The ***** of originality relates necessarily to the idea of au*****nticity and to the work's authority, but with ***** technological r***** the ***** ***** authenticity ***** originality ***** become irrelevant. Mass re*****


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