Essay - A White Heron White Heron - Sarah Orne Jewett This...


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A White Heron

White Heron - Sarah Orne Jewett

This is a story with several important themes, and one of them is pastoral innocence coming into contact ***** into conflict with the loss ***** innocence in a modern, *****dustrial world. The tone, ***** and character development in th***** story follows along ********** lines of what is known as American literary real*****m; indeed, realism is evident in a story when character ***** more critical to the ***** than plot or the actual action. Realism is a strategy ***** which ethical choices are at h*****, ***** story line ***** plausible, and humans are placed in n*****ural world settings.

In A White Heron, those elements are very much present. This is a story in which the character of th***** innocent girl is more ***** to the reader than the precise steps that are taken in the *****. This is a very *****triguing and original tale about the innocence of a ***** who seems ***** like ***** creatures ***** the natural world than she seems ***** young people her own age. The ***** embraces the changes and challenges facing a young girl as she ***** confronted with a potential loss of innocence.

Indeed, nine-year old Sylvia is the central character, the protagonist; she is a working class girl but *****s don't know exactly what city she lives near but it is in New England, near a m*****nufacturing center. This c*****y near where ***** is living is an industrially focused metropol*****, and the shy ***** has somehow gr***** "afraid of folks" (598, Nor*****n Anthology of American Literature), which when one thinks about it is not that unusual for a ***** who "...feels as if she were a part ***** ***** gray shadows and moving leaves..."

Sylvia has been adopted by her gr*****mother, a widow, ********** lives in a tiny house in the middle of a wooded **********. What readers ***** about Sylvia right away is that ***** loves th***** natural ***** setting and is not involved in any apparent stress or pressure. That wooded w*****ld where she daily has to hunt down her dairy cow is some*****ing of a metaphor for a pastoral place beyond the boundary of the real and ugly world.

Jewett wr*****es (page 597, Norton) that Sylvia "...***** all ***** time there was, and ***** little use to make of it." And so with all ***** time on her hands, it's reas*****able ***** expect an alert yet shy young girl with no playmates to become fascinated with birds and animals in the forest. Sylvia's grandmo*****r mentioned that Sylvia had a knack of "...straying ***** out-of-doors" and gr*****ma also believed that the "...***** creatures counts her one o' themselves" (599).

This child could be considered a metaphor for in*****cence in the genre of realism. She could well be thought of as a symbol of what ***** world w***** like before industrialization, before wars, greed, lust for power and control of nature, and before the invention of weapons that kill. Her heart "beat fast

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