Essay - A White Heron White Heron - Sarah Orne Jewett This...

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A White Heron

***** Heron - Sarah Orne Jewett

***** is a story with several important themes, and one of them is pastoral innocence coming into contact ***** ***** conflict ***** the loss ***** ***** in a modern, industrial world. The tone, conflict and character development in this story follows along ***** lines of what is known as American literary realism; indeed, realism is evident in a story when character is more critical to the story than plot or the actual action. Realism is a strategy ***** which ethical choices are at h*****, ***** ***** line ***** plausible, and humans are placed in n*****ural world settings.

In A White Heron, those elements are very much present. This is a story in which the character of ***** innocent girl is more important to the reader than the precise steps that are taken in the plot. This is a ***** *****triguing and original tale about the innocence of a girl who seems ***** like ***** creatures of the natural world than she ***** like young people her own age. The story embraces the changes and challenges facing a young ***** ***** ***** is confronted with ***** potential loss of innocence.

Indeed, nine*****year old Sylvia is the central *****, ***** protagonist; she is a working class girl but *****s don't know exactly what city she lives near but it ***** in New England, near a manufacturing center. This city near where she is living ***** an industrially focused metropolis, and the shy ***** has somehow grown "afraid of folks" (598, Norton Anthology of American Literature), ***** when one thinks about it is not that unusual for a girl who "...feels *****s if she were a part ***** ***** gray shadows and moving leaves..."

Sylvia has been adopted by her grandmot*****, a widow, ********** lives in a tiny house in the middle of a wooded *****rea. What readers ***** about Sylvia right away is that she loves th***** natural ***** sett*****g and is ***** involved in any apparent stress or pressure. That wooded w*****ld ***** she daily ***** to hunt down her dairy cow is some*****ing of a metaphor for a pastoral place beyond the boundary of the real and ugly world.

Jewett wr*****es (page 597, *****) that Sylvia "...had all the time *****re was, ***** very little use to make of it." And so with all ***** time on her hands, it's reasonable to expect an alert yet shy young girl with no playmates to become fascinated with birds and animals in the forest. Sylvia's grandmo*****r mentioned that Sylvia had a knack ***** "...straying ***** out-of-doors" and grandma also believed that the "...wild ***** counts her one o' themselves" (599).

This child could be considered a metaphor for ***** in the genre of realism. She could well be thought of as a symbol of ***** the world w***** ***** before industrialization, before wars, greed, lust for power and control of nature, and before the invention of weapons that kill. Her heart "beat fast


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