Essay - A White Heron White Heron - Sarah Orne Jewett This...

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A White Heron

White Heron - Sarah Orne Jewett

***** is a story with sever*****l important themes, and one of them is pastoral innocence coming into contact ***** ***** conflict with the loss of ***** in a modern, industrial world. The tone, ***** and character development in th***** story follows along ********** lines of what is known as American literary real*****m; indeed, realism is evident in a story when character is more critical to the s*****ry than plot or the actual action. Realism is a strategy in which ethical choices are at hand, ***** story line ***** plausible, and humans are placed in natural world settings.

In A White Heron, those elements are very much present. This is a story in which the character ***** this innocent girl is ***** important to the reader than the precise steps that are taken in the plot. This is a very *****triguing and original tale about the innocence of a ***** who seems more like the creatures of the ***** world than she seems ***** young people her own age. The story embraces the changes ***** challenges facing a young girl *****s she is confronted with a potential loss of innocence.

Indeed, nine*****year old Sylvia is the central *****, ***** protagonist; ***** is a working class ***** but readers don't know exactly what city she lives near but it ***** in New England, ***** a manufactur*****g center. This c*****y near where ***** is living ***** an industrially focused metropolis, and the shy ***** has somehow grown "afraid of folks" (598, Norton Anthology of American Literature), ***** when one thinks about it is not that unusual for a girl who "...feels as if she were a part of the gray shadows and moving leaves..."

Sylvia has been adopted by her grandmot*****, a widow, ********** lives in a t*****y house in the middle ***** a wooded **********. What ***** ***** about Sylvia right away is that ***** loves ***** natural ***** sett*****g and ***** ***** involved in any apparent stress or pressure. That wooded w*****ld ***** she daily has to hunt down her dairy cow is something of a met*****phor for a pastoral place beyond the boundary of the real and ugly world.

Jewett writes (page 597, Norton) that Sylvia "...had all ***** time t*****e was, and very little use to make of it." And so with all that time on her hands, it's reasonable ***** expect an alert yet shy young girl with no playmates to become fascinated with birds and animals in the forest. Sylvia's grandmother mentioned that Sylvia had a kn*****ck ***** "...straying about out-of-doors" and gr*****ma also believed that the "...***** ***** counts her one o' themselves" (599).

***** child could be considered a metaphor for ***** in the genre of realism. She ***** well be thought of as a symbol of what the world w***** like before industrialization, before wars, greed, lust for power and control of nature, and before the invention of weapons ***** kill. Her heart "beat fast


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