A White Heron White Heron - Sarah Orne Jewett This ...

Essay - A White Heron White Heron - Sarah Orne Jewett This...


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A White Heron

***** Heron - Sarah Orne Jewett

***** is a story with several important themes, and one of them is pastoral innocence coming into contact and into conflict ***** the loss ***** ***** in a modern, industrial world. The tone, ***** ***** character development in this story follows along ***** lines of what is known as American literary real*****m; indeed, realism is evident in a story when character ***** more critical to the s*****ry than plot or the actual action. Realism is a strategy ***** which ethical choices are at hand, the story line is plausible, and humans are placed in natural ***** settings.

In A White Heron, those elements are very much present. This is a story in which ***** ***** ***** ***** innocent girl ***** more ***** to the reader than the precise steps that are taken in ***** plot. This is a ***** *****triguing and original tale about the innocence of a ***** who seems more like ***** creatures of the ***** world than she ***** ***** young people her own age. The ***** embraces ***** changes ***** challenges facing a young girl as ***** is confronted with a potenti*****l loss of innocence.

Indeed, nine*****year old Sylvia is the central character, the protagonist; she is a working class girl but *****s don't know exactly what city she lives near but it ***** in New England, ***** a m*****nufactur*****g center. This c*****y near where she is living is an industrially focused metropol*****, and the shy ***** has somehow gr***** "afraid of folks" (598, Norton *****nthology of American Literature), which when one thinks about it is not that unusual for a ***** who "...feels as if she were a p*****rt ***** ***** gray shadows and moving leaves..."

Sylvia has been adopted by her grandmot*****, a widow, and lives in a t*****y house in the middle of a wooded area. What readers know about Sylvia right away is that she loves this natural ***** sett*****g and is ***** involved in any apparent stress or pressure. That wooded w*****ld where she daily has to hunt down her dairy cow is something of a metaphor for a pastoral place beyond the boundary of the real ***** ugly world.

Jewett writes (page 597, Norton) that Sylvia "...***** all the time there was, and very little use to make of it." And so with all that time on her h*****s, it's reasonable ***** expect an alert yet shy young girl ***** no playmates to become fascinated with birds and animals in the *****est. Sylvia's grandmother mentioned that Sylvia had a knack of "...straying ***** out-*****-doors" and grandma also believed that the "...wild ***** counts her one o' themselves" (599).

This child could be considered a metaphor for innocence in the genre of realism. She ***** well be thought ***** as a symbol of ***** the ***** w***** like before industrialization, before wars, greed, lust for power and control of nature, and before the invention of weapons ***** kill. Her heart "beat fast

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