Essay - Literature Newborn Thrown in the Trash Dies John Edgar Wideman's...


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Literature

Newborn Thrown in the Trash Dies

John Edgar Wideman's short story, "newborn thrown ***** trash and dies" uses a very distinctive point of view for dr*****matic effect and irony. The ***** uses the viewpoint of an unwanted baby, thrown into a ***** shoot. The b*****by's last moments make up ***** story, from the baby's own internal point ***** view. Not only is this a unique point of view, it is also very emotional and moving. Thus, Wideman uses this point of view to make the impact of his story even more dramatic, dark, and depressing.

This disturbing and graphic story opens w*****h a first-person point ***** view th*****t sounds rational and bitter at the same time. The first lines of the story indic*****e what is to come, just not to who, or why. Wideman writes, "They say you see your whole life pass in review ***** instant be*****e you die. How would they know? If ***** die after the ***** replay, you aren't around to tell anyone anything" (Wideman 1396). Thus, ***** reader ***** prepared for something unpleasant ***** occur, but it is ***** clear just how unpleasant that ***** going to be. In fact, the actually premise of the story does not come until much later, but already the viewpoint draws the ***** in, and makes them want to know ***** about ***** *****telligent and embittered character.

There are times ***** the narration is funny or amusing, as long ***** ***** reader does ***** ***** what is coming next. The auth***** uses humor in his ***** the ***** way he uses t***** poin***** ***** view, to jar the *****. Using humor ensures the reader will ***** even more affected by the reality that comes after the humor. This s*****ry in ***** is not funny at all; it is tragic. By us*****g humor, the author ***** the situation even more unfortunate, and that makes it ***** more remarkable to ***** reader. For example, early in the s*****ry he wr*****es, "The end ***** the *****. And ***** you know at the end goes down the tube with you. I can speak to you know only because I haven't reached bottom yet. I'm on my way, faster than I ***** to be traveling and my journey won't take long" (Wideman 1396). Without the context of ***** rest ***** the s*****ry, this just seems like any o*****r bitter and jaded individual who has reached the end of their life and is not ready for it to be over. *****n *****, the jaded words appear humorous and wry, somehow. Th***** changes when the context of the story becomes ***** - these are the thoughts ***** a dying ba***** on its way ***** a trash chute. When ***** is established ***** talk take ***** a new meaning, and that is exactly what the ***** int*****ed. He needed to wake ***** professors ***** situations ***** might ***** even think were possible. ***** using ***** point of view, he certainly does just that, and it is

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