Term Paper: Allegory and Idealism in Michael

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The fact that the stronger creatures overpower the weaker ones illustrates the perfect allegoric symbolism for the business world. Those who are large and strong merge, sometimes by force, with the smaller businesses of the world.

The dinosaurs had not hurt anybody for the four years before the weekend of The Lost World. This might be because they had not had any human confront them. Why they had not is not clearly defined or explored but when it does happen the actions are extremely similar to the previous attacks. In this particular novel the allegoric symbolism had more to do with racism and hatred than with finances and capitalist attitudes. The dinosaurs were fine as long as they got to keep to themselves but the first time they were forced to share the island with humans, even humans who were only there to observe them, they began a rampage to rid the neighborhood of those kinds. This is symbolic of the racism that is still existent in modern times. The dinosaurs are content to be with like creatures and they do not appear capable of violence and rages. However, when mankind enters the picture the dinosaurs suddenly turn violent to rid the area of what they consider to be interlopers. This happens in the human world as well. Humans of one race live peacefully in an area for many years without trouble or violence. Then when another race moves in there is tension that often leads to violence. The dinosaurs in the novel serve as allegoric symbols of human behavior and the pattern that the world has seen since the beginning of time when it comes to the mixing of races or class levels.

The humans in Jurassic Park also allegorically represented several things. Dr. Hammond is a study in contrasts because his character represents two different ends of the spectrum. On one hand he represents blind idealism and on the other hand he represents greed. The blind idealism his character allegorically represents is evidenced throughout the novel. He believes with all of his heart that he will be able to make the park work. He refuses to give up, he refuses to listen to reason and he refuses to see the truth for what it is if it gets in the way of his understanding of right. Hammond so fully believes in his ability regarding the park that he sends his own grandchildren out to investigate the park without him being present. Blind idealism works in much the same manner. It allows for the refusal to accept anything short of the idea that is being entertained. It is an idealism that can harm those who suffer from the blindness of it because they will not see obstacles or the beginning of failings. Blind idealism is a trait that masks rationality and the character of Hammond in the novel underscores the reality of having that trait. The second allegoric symbol the character presents is greed. Even when he realized the park was failing and that his creatures were violent and dangerous he refused to go for help. He did not want the problems getting to the outside world and he wanted to maintain the appearance that all was well. Greed does not allow for rationale thoughts anymore than blind idealism does. The greed he felt overrode his logic and it almost cost him his grandchildren's lives.

The character of Grant provides the reader with an allegoric reality as well. Grant takes on the allegoric undertone of pure science. The park is designed to run completely automated. The park can be handled with nothing more than a control room. Grant is the person who can make it all happen because he has such a scientific mind. However, while he is obviously brilliant he seems to lack any type of compassion and is only a representative of pure science. Science is devoid of emotion and compassion. It is a field that is purely facts and figures. It is easy to draw the correlation between the character of Grant and the field of science when the reader gets to know Grant's character and traits. The cold attitude that the reader encounters every time Grant is the focus of the plot allows for the easy transition to the allegoric idea of representing science. The science is what has designed and maintained the park and in his pride of doing so, Grant shows the reader he is nothing more than a scientific equation in his personal thoughts as well. This causes the character to easily represent pure science in the real world and to spend the entire book displaying the proper traits to fit with that image.

CONCLUSION

The allegoric representation within these two works is evident and honest. The reader can pick out the symbolism much more easily in this work than in other genres because the science fiction angle of the story allows for flexibility in the use of allegoric symbols. The novel not only uses the dinosaurs to underscore the symbolism but also uses the human characters as well. In other genres the evidence is not always as clear as it is in the case of these two works. The dinosaurs are treated to a world of their own until they are invaded, which begins the entire allegoric representation the reader is presented with for the remainder of the book. Often time's literature represents real life. In the science fiction genre it is even easier to underscore the habits mf mankind by the use of animals or creatures by virtue of the genre itself. Michael Crichton's Jurassic Park and The Lost World provide illustrative examples of the way allegoric symbols can underscore the realities of the life man has created here on earth. The dinosaurs represented classes, ethnicities and capitalism while providing the reader with a basic view of how those things can break down into total chaos if allowed to stew without guidance.

The two works leave the reader with a better understanding of the way the world at large works. The reader can come away with a better understanding of blind idealism, greed, and pure science and how those things can relate to real life after reading these stories.

References

Crichton, Michael. Jurassic Park Mass Market Paperback 1992

Crichton, Michael, The Lost World. Mass Market Paperback 1996

Jurassic Park, or, Sympathy for the Dinosaur Joe Sartelle Bad Subjects, Issue # 5, May 1993(accessed 5-4-2002) (http://eserver.org/bs/06/Sartelle.html) [END OF PREVIEW]

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