Art Analysis: ART21 After Reviewing Essay

Pages: 3 (968 words)  ·  Bibliography Sources: 3  ·  File: .docx  ·  Topic: Art  (general)

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The title of this work states: this is no time for dreaming. For whatever feelings or opportunities dreaming provides us, this is no time for that now. This logic begs the question, if it is not time for dreaming, what is it time for then? Tossing papers about in an empty room might be the perfect time for dreaming because the reality of the situation is not fun.

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Forever is a series of installations where the primary source material is bicycles. Weiwei used approximately 1,200 bicycles to construct his exhibit. Weiwei is an artist that often expresses messages that are aware of the 21st century Chinese reality, condition and culture. His work is very connected and heavily themed around the diversity of meaning of the Chinese identity as well as the changing nature of Chinese national identity. Bicycles are much more popular and normative forms of transportation in places like China than the United States. Asian cultures such as Chinese, Japanese, and Korean ride bicycles from early childhood into mature adulthood. The bicycles could be interpreted as literal or the viewer can extract meaning from the work from the materials present and the bodies of the bike riders whose presence is implied. After all, the fundamental purpose of the bicycle cannot be demonstrated without people to ride. This is yet another installation with a very limited color palette. One aim of Forever is to alter the viewer's perspective or perception with depth, volume, and space rather than color. The form of the bikes is uniform and so is their arrangement, though the arrangements are not boring or facile.

Essay on Art Analysis: ART21 After Reviewing Assignment

The forever-ness of this exhibit is implied. The infinitude that Weiwei communicates happens within the minds of the viewer, which is more effective for him as a strategy than a more literal expression of forever. Forever is a concept that is difficult to make tangible. This is one of the challenge that Weiwei undertakes in his work -- to make the intangible tangible, or at least to effective imply the tangibility of the intangible. In the different arrangements of the bikes, new shapes and figures come into view though the shape of the bikes used are the same. He finds variation in manipulation of objects that are the same. He somehow creates or implies new shapes from repeating the same shapes and lines with three dimensional superimposition. The piece is stunning meant to be experienced and not looked at.

References:

Art21, Inc. (2012) Explore Artists. Available from: http://www.pbs.org/art21/artists. 2012 July 10.

European Graduate School. (2012) Pierre Huyghe -- Biography. Available from: http://www.egs.edu/faculty/pierre-huyghe/biography/. 2012 July 11.

Wines, Michael. (2009) Ai Weiwei, China's Impolitic Artist. The New York Times, Available from: http://www.nytimes.com/2009/11/28/world/asia/28weiwei.html?pagewanted=all. 2012 July 12.

Pierre Huyghe, "This is not a time for dreaming," 2004.

Ai Weiwei, "Forever," 2011.

Ai Weiwei, "Forever," 2011. [END OF PREVIEW] . . . READ MORE

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