Art History Roy Lichtenstein Term Paper

Pages: 7 (1976 words)  ·  Bibliography Sources: ≈ 2  ·  File: .docx  ·  Level: College Senior  ·  Topic: Art  (general)

SAMPLE EXCERPT . . .
They are totally formed by the way their culture has defined them. Even the title Stepping Out implies a falseness. They are dressing up and moving outside their true reality into a night life culture which they have been programmed to crave.

Stepping Out like the bulk of Lichtenstein's work stands in the center of the Pop Art era. As quoted in Art News in November of 1963, Roy Lichtenstein said: "Pop Art is an involvement with what I think to be the most brazen and threatening characteristics of our culture, things we hate, but which are also powerful in their impingement on us" (www.artcyclopedia.com/artists/lichtenstein_roy.html). Other artists like Andy Warhol, with his repetitive advertising industry images as seen in 32 Capmbell's Soup Cans (1961-62) and Marilyn Monroe's Lips (1962), were using popular culture to create a trendy and lucrative art of popular consciousness. Artists like Lichenstein and Warhol represented the natural creative progression of twentieth century art. Moving away from the abstract expressionist vogue they depicted the everyday reality of mass culture. Themselves emerging from a background in commercial art, they used familiar objects both to allow viewers to relate directly to art and to offer social satire.

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Contemporaries, Lichtenstein and Warhol matured in their art under the heritage of American forerunners Robert Rauschenberg and Jasper Johns who planted the seeds of Pop Art. Rauschenberg constructed collages from household objects and Johns repetitively painted American flags and bull's-eye targets. These artists in turn emerged under the influence of a European forerunners like Richard Hamilton who produced Just What Is It That Makes Today's Home So Different, So Appealing? In 1956.

Term Paper on Art History Roy Lichtenstein -- Assignment

Lichtenstein's cartoon dialogue and imagery places him stage center in the development of Pop Art. As Fineberg puts it, with Lichtenstein: "the subject matter comes already translated into the highly conventionalized language of line drawing advertisements or comics"... Lichtenstein's true subject "is not the embracing couple, a rib roast, or jets in a dogfight but rather the terms of their translation into the language of the media and the implications of that metamorphosis" (Fineberg 261).

Stepping Out, is, for this viewer, the epitome of the Pop Art movement. The blank eyes of the male and the Picassoesque central misplaced eye of the female emphasize the blindness of mass culture in which couples like this one rush into dates, nights out and relationships with no real thought or consideration, following the suggestive leads of the media. The suggestively voluptuous curve of the woman's hair and her oversized lips are details which characterize her as a pliable sex object for the male half of the couple who seems quite plastic in his fashionable detachment.

Bibliography

Fineberg, Jonathan. Art Since 1940: Strategies of Being. 2nd Edition. New York:Harry N. Abrams, Inc., Publishers, 2000.

A www.artcyclopedia.com/artists/lichtenstein_roy.html www.artlex.com/ArtLex/M.html www.nga.gov/cgi-bin/pbio?224210 www.metmuseum.org/collections [END OF PREVIEW] . . . READ MORE

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