Artwork Entitled "The Judgment Term Paper

Pages: 3 (1067 words)  ·  Bibliography Sources: ≈ 2  ·  File: .docx  ·  Level: College Senior  ·  Topic: Art  (general)

SAMPLE EXCERPT . . .
Interestingly, this is one of the most common mythological themes in art and literature, and Cranach painted several different versions of this tale.

Of all incidents in the Trojan War this has been the most continuously stressed in art and literature. It appears in the seventh century B.C., or perhaps a little earlier, on an ivory comb found in Sparta. Homer knew the story, though the Iliad mentions it only in passing as'... The delusion of Paris, who insulted the goddesses when they came to him' (Scherer 10).Buy full Download Microsoft Word File paper
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The work is extremely typical of German Renaissance painting of the time, which intricately combined medieval detail with ancient tales. Cranach was a popular painter of the time, earning commissions from the Pope, the Duke of Saxony, and many officials in Rome (Scherer 20), so his style of painting was clearly popular and well received. He also taught his son, Cranach II, to paint in the same manner, and it is often difficult to tell the two different painters apart (Editors). Germans especially enjoyed these mythological paintings, and Cranach's style was extremely popular in his native country. The Germans found his work both humorous and naive, but sophisticated in the style and execution (Scherer 20). The three goddesses are a good example of this na vete as they cover themselves modestly, or glance shyly over their shoulder toward the viewer. The coloration of the goddesses is a subtle blending of like shades that create lights and darks, shadows and brightness, adding to their dimension and their impact. It is clear they are the main subject of the painting, while Paris and Mercury, though spectacularly dressed; fade more into the background with their darker shades. They appear almost shadowy compared to the brightly lit goddesses. Thus, the balance of the painting seems lopsided, and yet the details behind the group in the foreground tend to balance out the entire painting. Every part of the canvas is covered in detail, from the rocks beneath the reclining Paris to the clouds in the sky and the buds on the tree. Cranach clearly loved to fill his canvas with natural landscapes and living things, and this painting is a good example of his detailed work.

While Cranach's work is quite typical of the time, it is also quite comparable to other Renaissance artists of the time. Another painting at the Metropolitan Museum of Art in New York, "The Harvesters," painted in 1565 by Pieter Bruegel the Elder shows great similarity in the details, from the wheat harvesters in the foreground, and even down to the buds on the trees. Detail and depth were two of the keys to art during this period, and that is one reason Cranach's work was so popular with the people.

In conclusion, Cranach the Elder's painting of "The Judgment of Paris" is a classic German Renaissance painting combining the great and beautiful details of medieval life with the classic tale of ancient mythology. Using light, balance, and intricate details, he makes the myth come alive for the viewer.

References

Editors. "Lucas Cranach the Elder." ArtCyclopedia.com. 2002. 3 April 2003. http://www.artcyclopedia.com/artists/cranach_the_elder_lucas.html

Scherer, Margaret R. The Legends of Troy in Art and Literature. 2nd ed. New… [END OF PREVIEW] . . . READ MORE

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