Compare and Contrast Two or More Art Works Term Paper

Pages: 3 (717 words)  ·  Bibliography Sources: 2  ·  File: .docx  ·  Level: College Senior  ·  Topic: Art  (general)

¶ … Artworks

A Comparison of Picasso and Van Gogh

Pablo Picasso best represents the Modernism of the 20th century: fractured, novel, and abstract, many of Picasso's works are a striking departure from the kind or representational or realistic artwork that preceded it. Best known for Cubism, Picasso distorted his subjects in an attempt to reflect an inner distortion in the soul. His Les Demoiselles d'Avignon may be said to be a forerunner of Cubism. It reveals Cubist tendencies in the heads of the primitively painted women. On the other hand, Vincent Van Gogh's Imperial Fritillaries in a Copper Vase (1886) represents both the colorful reality of nature and a soul alive with the joy of nature. This paper will compare and contrast the Picasso's abstract Les Demoiselles d'Avignon with Van Gogh's Fritillaries and show how, though the two are expressionistic in a sense, they express completely different ideas and values -- the former reflecting modern culture's break-up, and the latter reflecting old-world beauty and grace.Download full Download Microsoft Word File
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Term Paper on Compare and Contrast Two or More Art Works Assignment

As Clement Greenberg stated, "The avant-garde poet or artist tries in effect to imitate God by creating something valid solely on its own term…" (531). Thus it is that Picasso, a premiere of the avant-garde, sets up his own ideal with Les Demoiselles d'Avignon (1907). Les Demoiselles pushed the Post-Impressionists' boundaries and introduced a new and abstract direction in artistic representation of the world. The painting's prostitutes are primitively reproduced in unorthodox lines that jar the viewer's gaze. At this point in his career, Picasso could represent the decline of civilization quite well. Likewise, Picasso's "distorted paintings of women are closely linked to the pleasure he got from hurting them, both physically and in other ways," (Johnson 256). That assertion leaves one to wonder about the artist's relationship with the prostitutes in the picture. At the same time, it is helpful to remember that artistic conventions are broken in order to illustrate the fact that societal conventions are in upheaval. Picasso forecasts the coming violent revolutions in this painting -- and he also observes that the revolution will be big -- as the painting itself shows, coming in at 243.9 x 233.7… [END OF PREVIEW] . . . READ MORE

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