Don't Confuse Legibility With Communication: Quote Explanation Research Paper

Pages: 2 (783 words)  ·  Bibliography Sources: 2  ·  File: .docx  ·  Level: College Senior  ·  Topic: Education - Computers

¶ … confuse legibility with communication. Just because something is legible doesn't mean it communicates and, more importantly, doesn't mean it communicates the right thing" -- David Carson.

It is quite evident that intuitional and emotional visual communication in the field of design, and more so in entertainment, is fading with each passing day. It is such heart-breaking trends that drive me to admire David Carson's "creative and radical impact on the design world, and his ongoing contributions to it"[footnoteRef:1]. His designs may not be 100% effective, but his ability to produce designs that were originally unknown to the public, with no clue about how the public would respond to them, is something that stands out and serves as an inspiration to those designers such as myself who strongly value function and form. [1: James Peacock Designs, "David Carson: Graphic Designer," James Peacock Design, http://www.jamespeacockdesign.com/blog/david-carson-graphic-designer / (accessed April 25, 2014).]

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In a layman's language, the quote could simply be put as 'ordinary people do ordinary things, and in order to stand out from the crowd, one needs to do things out of the norm; extraordinary things for that matter'. This would, however, depend on one's ability to take their environment, and then personalize and make something extraordinary out of it[footnoteRef:2]. Carson was born on the 8th of September 1952 in Texas, and moved to New York City at the age of four[footnoteRef:3]. Of significance is that he developed an element of inspiration from the city's grungy nature, and came with up a style that has since the Ray Gun era, "often been imitated, but never improved"[footnoteRef:4].

TOPIC: Research Paper on Don't Confuse Legibility With Communication: Quote Explanation Assignment

Carson succeeded by breaking rules. Designers had made it a norm that wordings, images, pictures, and page numbers be neatly arranged, following conventional gridlines and formats. Carson comes up with a style that is nothing but the exact opposite of the norm, with built-up wordings across over-layered text, absurd layouts including settings of backward text, text columns overlapping each other and bleeding off the page, sliced-away letter parts that leave readers to decipher messages, page numbers set in large fonts at times across images and "minimal contrast between the text and the background color" making his more of a collage[footnoteRef:5]. His intention was to put forth a piece of art - whether or not it was legible was not all that important, as long as… [END OF PREVIEW] . . . READ MORE

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