Decentralization of Cultural Arts Funding Term Paper

Pages: 5 (1465 words)  ·  Bibliography Sources: ≈ 4  ·  File: .docx  ·  Level: College Senior  ·  Topic: Art  (general)

SAMPLE EXCERPT . . .
With funding from the National Endowment for the Arts, state and local Arts Council funding, as well as other foundation and corporate funding, YA/YA, is now a non-profit organization (Young Aspirations / Young Audiences) which guides students from the L.E. Rabouin Career Magnet High School toward becoming self-sufficient artists with professional experience and entrepreneurial skills (http://arts.endow.gov/artforms/Design/YAYA.html).Withfunding, YA/YA created a business plan and built a small fabric-printing workshop that now generates additional earned revenue, making it less dependent on grants and contributions. "YA/YA's annual budget is just under a half-million dollars, but a large and growing percentage of that comes from earned revenue. YA/YA sells art -- more than a quarter-million dollars by its sixth year of operation" (http://arts.endow.gov/artforms/Design/YAYA.html).TheYA/YA program is only one example of decentralization and the effects it has had on not only a local New Orleans neighborhood, but others as well. Its success has inspired other communities to begin similar programs, thus benefiting not only the people and local businesses, but transforming entire cultural landscape of their areas.

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A recent study of the current state of cultural data was sponsored by the Arts Endowment and undertaken by Kaple, DiMaggio, and others at Princeton University's Center for Arts and Cultural Policy Statistics (CACPS). It recommended the development of a "Unified Data Base" for the nonprofit arts in America to find data that are comparable across different organizational types, distinct disciplines, and over time. Invariably, among the chronically under-represented in such reporting are small, community-based, cross-disciplinary, experimental, ad hoc, and/or "underground" organizations, precisely where much of the most compelling work in the arts today is being undertaken. Nor will virtual" groups that are now being fashioned online be recognized in standard data-collection sweeps, although such groups may play an increasingly important role on the emerging cultural landscape" (http://arts.endow.gov/pub/AmCan/Chapter3.html).

New trends in funding include:

Term Paper on Decentralization of Cultural Arts Funding Assignment

Increased involvement of the arts in community and civic affairs, generating revenues from areas that are not typically engaged in supporting the arts (e.g., youth programs, crime prevention, economic development).

Inclusion of arts education in the basic K-12 curriculum, providing both immediate payoffs, in the form of work for artists and arts organizations in educational activities, and long-term dividends, in the larger audiences that will begin graduating from high schools and colleges in the next century.

Expanded marketing efforts, building audiences by appealing more directly to the general public, generating increased earned income in the process.

Partnerships with the commercial sector, where the conglomerates of the entertainment industry often spend more money in a day than many nonprofits do in a year.

Forays into the electronic frontier, where new digital delivery systems promise to bring a wealth of material (including the arts, presumably) into American homes (http://arts.endow.gov/pub/AmCan/Chapter3.html).

Decentralization funds may be made available to support the cultural activities of a local community through a myriad of ways other than grants from corporations, local and state agencies and councils, and private funding.

Acting as consultant, I have to recommend that the issue of decentralization of the cultural arts be given serious consideration. It should be easy to see how valuable art is to our lives. It defines who we are not only as a species, it defines local communities, large and small. It can transform an impoverished area into a livable and viable district, and boost it into self-sufficiency. Areas become desirable places to live, which once were not. As local businesses benefit, communities become desirable for new business growth and opportunities as well. Moreover, our entire state as a whole stands to gain economically from the benefits of decentralization.

Works Cited

American Canvas: The Evolving Cultural Landscape." National Endowment for the Arts. http://arts.endow.gov/pub/AmCan/Chapter3.html.(accessed07-20-2002).

Madden, Stephanie; Bowen, Missy. "Design for Success: Young

Aspirations/Young Audiences." http://arts.endow.gov/artforms/Design/YAYA.html.(accessed07-21-2002).

Thompson, Shirley. "Young Aspirations/Young Artists." http://www.newday.com/films/Young_Aspirations.html.(accessed07-20-2002. [END OF PREVIEW] . . . READ MORE

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