Term Paper: Dracula, by Bram Stoker

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[. . .] Their next purpose is to find the boxes, which are scattered about in London. These boxes hold the key for Dracula's life; he must sleep in either of these boxes to stay alive.

From here, starts the quest for hunting down Dracula's boxes. One of Dr. Seward's patients Renfield deceives him and assists Dracula in making Mina his next victim. When the four men learn of Dracula's intention, it is too late. They catch Jonathan unconscious in a room while Mina is being forced to drink Dracula's blood. The major task for the four men is to kill Dracula first in order to save Mina from becoming the undead.

One by one the boxes are sterilized with the holy water until the last one remains. Dracula with the last box flees back to Transylvania where he is tracked down by a group of friends. The group splits up into two i.e. while Mina and Professor Abraham find Dracula, the other four find the last box. Later in the scene Mina and the Professor kill the three vampiresses and regroup with the others. They then encounter gypsies who are transporting Dracula in his coffin. During the struggle Quincey receives terrible wounds but just as they wound Dracula the sun comes up and comes the end to the dreadful Count Dracula.

Throughout the novel the audience is brought face-to-face with the theme. The main argument about this theme contemplated by the critics is that the Stoker involves the Victorian male imagination, especially on the part where the sexuality of females is concerned. The novel basically states that a Victorian women's behavior was very much dominated by the society they lived in. She was either considered as a virgin, a model of piousness and ingenuousness or else she was a mother or a wife. Other than this she was demarcated as a strumpet, which was of no concern to anyone.

When Dracula comes to London and attacks Lucy Westenra, the audience immediately understands that the battle between good and evil will rely greatly upon the female sexuality. In the novel both Mina and Lucy are the true models of purity and naivete; the image of these women is exactly how women of that era were looked upon. These women are maidenly, innocent and extremely devoted to their men. Dracula in turn tries to convert these women into an Epicurean. Stoker in the novel consistently points to sexual desire. In chapter 12 when Lucy begins to show signs of Vampirism, she also shows that she is destined to become a sexual fiend. She uses a seductive voice while asking Arthur for a kiss displaying signs of sexual wanting. Stoker here shows her transformation from a flirtatious but pure woman to a sexually lewd of the undead world. She says,

Her breathing grew stertorous, the mouth opened, and the pale gums, drawn back, made the teeth look longer and sharper than ever. In a sort of sleep-waking, vague, unconscious way she opened her eyes, which were now dull and hard at once, and said in a soft, voluptuous voice, such as I had never heard from her lips, "Arthur! Oh, my love, I am so glad you have come! Kiss me!" (Dracula, Chapter 12, Pg. 11).

Stoker's character Count Dracula becomes successful in transforming Lucy into vampire and once she becomes one, she is thought of being killed by Dr. Seward, Professor Abraham and Arthur. The basic reason to kill her is to once again return her into the pure state, one which women of that time were considered as i.e. socially reputable. After victimizing Lucy, Mina is Dracula's next prey. All the men keep a careful eye on her so that they would not loose another women to evil and immorality. In chapter 21, when Mina is being forced to drink Dracula's blood, he promises her that she will be flesh of my flesh and blood of my blood. This language implies both the union and the ritual of the Eucharist. The Vampire disobediently misconstrues these two things, while becoming an evil counterpart to Mina's husband and her God. This attack fits the pattern of the old Gothic themes: Gothic novels often feature decadent aristocracy preying on vulnerable women of the lower classes (Notes On Dracula, (http://www.classicnote.com/ClassicNotes/Titles/dracula/summ2.html).The atmosphere created here by Stoker is grim, tense and amoral done by daemons who walk about the Earth.

All the men become fearful of associating the women with the socially disdained. The men also fear for their own betterment and safety. Towards the end, Dracula ridicules Professor Abraham by saying, "Your girls that you all love are mine already; and through them you and others shall yet be mine" (Dracula, Chapter 26, Pg. 13). At this point Dracula diction an old existing male's philosophy, which existed from the times of Adam and Eve, when the couple were turned out of garden of Eden. He says that men due to women's ungovernable desires suffer greatly and eventually fall from their reputed or graceful position.

Works Cited

Bram S. Oct. 1997. Dracula. Mass Paperback.

Notes On Dracula. 2000. Available on the address http://www.classicnote.com/ClassicNotes/Titles/dracula/summ2.html. Accessed on 17

Mar. 2003.

Themes. Available on the address http://www.sparknotes.com/lit/dracula/themes.html. Accessed on 17

Mar. 2003. [END OF PREVIEW]

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