Essay: Du Sable Museum

Pages: 4 (1401 words)  ·  Bibliography Sources: 4  ·  Level: College Junior  ·  Topic: Black Studies  ·  Buy This Paper


[. . .] Out of Sub-Saharan regions, Yoruba, Senufo, Pende, Chokwe, Shona, Zulu and Ethiopia, have been emphasized in the collection of artifacts. Furthermore, major collection of photography, bibliography, archived documents and photographs and artifacts made by numerous artists are also part of museum's collection.

The art collection comprises of contribution of African-American community living in Chicago and hence contains the work of many Chicago artists. Special attention has been given to the work of those who are part of African-American legacy and have initiated their careers in Chicago after African-American Diaspora such as William W. Carter, William MacKnight Farrow (the first African-American to teach at the Art Institute), William A. Harper, Frederic D. Jones, Achibald Motley, Jr., Norman Parham, William E. Scott, Charles White, Ellis Wilson, Charles Dawson, and of course Margaret Burroughs. Work of Several foreign artists is also kept in this museum.

The museum is known for holding at least six major events annually portraying the works of major artists of African-American background and also other artists with other racial inheritance. Some of the exhibitions are focused on important local and national events. The exhibitions comprise of not only open-house visits to the Museum but also workshops, lectures, literary get-together etc. along with Art and crafts festivals for general public. Due to its unique model, the museum has managed to gain the attention of local as well as national and international scholars and other visitors. Annually, more than 150,000 visitors come over to DuSable Museum (Wade, 1991).

Where DuSable has gained attention of African-Americans over last five decades, it also has a close relation to current model of social structure in Unites States. Extensive studies have been conducted on the burning topic of racism which mainly narrows down to distinction between the Black and White. The museum reflects the struggle that African-American community had to go through in the past and also shows the evolution that has taken place in it over time. Since the major migration into Chicago city, this community has moved forward in society of Unites States and has gained access to even the major national offices. The museum acts as a hub of information of evolution shown by this community and also helps in analyzing the change in behavioral pattern of American society. One can observe rather easily how the earlier history of African-Americans is only retained at the museum in the form of artifacts; however as the time progresses, the visitor can see the increasing work by African-Americans in other fields of arts. This collection also has work of major legends included in it. This gradual expansion explains the freedom and liberty gained by the Blacks over time and also the pride that African-Americans feel by endorsing their history. It is this feeling of pride which made African-Americans venture into fields of science, arts, education and politics not only in United States but also at global level.

After five decades, the DuSable museum is not just a collection of artifacts related to a single community. It is a reflection of struggle that the African-Americans had to bear, the resilience that they have shown, the progression that they have undertaken and the pride that they feel after being related to their history. The museum gives a chance to its visitors to analyze the archrivals, artifacts, bibliographies and other literary work of a single community which helps in gaining hands-on information about African-Americans without extensive research and also assists in relating the progress of African-Americans over time, to the current social model of United States.


About DuSable Museum. DuSable Museum of African-American History. Retrieved from

Dickerson, A.J. (2005). "DuSable Museum." Encyclopedia of Chicago. Retrieved from Chicago History Museum.

Wade, B.(1991). "Practical traveler; tracing the trail of black history." The New York Times. The New York Times Company. Retrieved from

Williams, L. (1988). "Black memorabilia: the pride and the pain." The New York Times. The New York Times Company. Retrieved from

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Du Sable Museum.  (2012, July 24).  Retrieved October 23, 2019, from

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"Du Sable Museum."  24 July 2012.  Web.  23 October 2019. <>.

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"Du Sable Museum."  July 24, 2012.  Accessed October 23, 2019.