Research Paper: Flannery O'Connor Writing

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[. . .] She enjoys ensconcing in the pantheon of the twentieth century writers, alongside writers such as William Faulkner, Eudora Welty, and Kentuckian Robert Penn Warren alongside others. Thus, she is among the luminaries of the modern American letters. However, in criticisms towards her work, the following observations hold. Firstly, it is her striking conviction and attachment to her religious background (Bloom 67). O'Connor never apologized for this thematic consistency and its inherent repetition. Thus, through her works, we realize that certain preoccupations in the lives of artists influence their work.

Positively, this criticism builds her work as she shows her conviction to give hope to her readers by developing alters of their faith in God. It also propagates her towards her success, as through her suffering and life challenges, she managed to push through to success. Thus, the critic on her use of the Christian background to propagate her purposes and themes builds the exceptional success she achieved. However, on the negative criticism, this continuous repetition of her use of catholic background presents the connotation that she was an escapist. The critics in this view simulate that she was in refutation of her circumstances and suffering; hence, the reason she relied on her Christian background to gain the courage to write (Walker 16). Her use of her catholic faith is envisioned as a way to distract her form the challenges she faced.

Another criticism of her work is through her use of grotesque ("distorted reality"). The work of fiction entails significant application of creativity. Distorted reality was a familiar writing feature in the twentieth century. However, many critics used it as ammunition to cudgel the writers. Nonetheless, the wok of O'Connor remained undaunted. For instance, in her writing, she uses disproportionate body size to represent spiritual incompleteness of her characters (Bloom 79). Thus, on the positive side, the use of distorted reality in her work helps her to propagate her purpose and themes in the writings. However, it is symbolically evident that distorted reality is a feature of imagination that, without vivid understanding of the feature, it can be ambiguous. Critics saw her use of distorted reality as a contradicting aspect of herself, basing their argument on her religious belief. They argue that, her faith was contrary to atheism, but her writings included such presentations of atheists through the distorted bodies. Additionally, she seeks to discredit deformations and disability, yet she uses such figures to propagate her fictions work. She is a controversially successful writer, with the critics of her work building towards the success that she manages to achieve.

Comparison of work to with other authors work

O'Connor writes explicitly from a Christian perspective, giving her convictions in her writing. She viewed religion as liberation and faith as the driving factor of the success anybody wishes to attain in his or her endeavors. She used humor alongside the Christian setting while applying the grotesques in a setting many would writers of her time would not dare to incorporate. Her mixture of the oppositely related aspects of distorted forms to Christian setting shows a high level of talent and ability to write. This sets her aside from the writers of her time as many using such features only wrote contemporary exciting stories for entertainment only (Bloom 101). However, in view of the writing styles and themes, she is comparable to Nathanael West, the two stories, "Wise Blood" and "Miss Lonely-hearts" indicates similarity in their use of black humor and sharply honed writing style. O'Connor was a conscious writer, alongside others like Faulkner, Caldwell and Eudora Welty command strong influences on their writers (Walker 34). Thus, in comparison to these writers of her time, they all command respect just as they impressed on their audiences.

She is a disciplined writer; sticking to her style and devoting her writing toward the themes that emancipate and liberate the readers form their challenges. Most of the writers of her time failed to achieve this feature. She is strong willed as depicted by her struggle with her weak health, which motivated her to write from inspirations of the countryside, unlike most writers of her time who focused on the modern and urban world to establish themselves she broke from the norm of writing romance and adventures stories as many writers of her time. Her fiction related to reality remarkably. Thus, in comparison to the writers of her time, she stands out as a remarkably endowed writer. This is the reason she managed to achieve many awards through her writing even after death.


Flannery O'Connor lives in the books of history as a talented writer, who wrote successful stories from conventional subjects. She established a theme consistency that no other literary writer can uphold as she remained in her conviction towards Faith. Thus, she deserves the honor she commands in the literary world.

Works cited

Bloom, Harold. Flannery O'connor. New York, NY: Bloom's Literary Criticism, 2009. Print

Gooch, Brad. Flannery: A Life of Flannery O'connor. New York, NY: Little, Brown, 2009. Print.

Gordon, Mary. "flannery's kiss."… [END OF PREVIEW]

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Flannery O'Connor Writing.  (2013, October 11).  Retrieved July 17, 2019, from

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"Flannery O'Connor Writing."  October 11, 2013.  Accessed July 17, 2019.