Gothic Cathedral as Rhetorical Device Essay

Pages: 2 (929 words)  ·  Bibliography Sources: 0  ·  File: .docx  ·  Level: College Junior  ·  Topic: Architecture

SAMPLE EXCERPT . . .
In large part, Venturi would be likely to argue, this is important because it is in the historical attributes that meaning is preserved and found.

Denise Scott Brown.

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Brown objected to the idea that popular architecture could not convey meaning. She believed not only that it did, but that it should. Cultural meaning was to her essential to the constructed environment. Brown defended her interest in the tastes of the masses and her narrative about the status quo. She refused to project her own judgment before she had explored vernacular taste and sensibilities from, she would argue, was an objective perspective. Brown's position was that an architect should not take the people living in an environment out of any plans to renovate or completely make over that environment. The danger of a purely functional approach to architecture is that one does absent cultural meaning and historical reference. What Brown clearly conveyed, in voice and design, was the importance of respecting the environment, the context, in which one builds. Brown would have artists and architects ground themselves in the popular -- what she called "pop" -- culture as a way of investigating functional needs, social context, cultural meaning, and aesthetic expression. Brown was quick to caution architects who would judge the urban context with the caveat that inhabitants of certain localities may not reside where they would prefer to, nor might they be able to reconfigure their habitations to their liking. Brown not only linked people as found in their quotidian contexts to architecture, but she insisted that new forms of architecture must also link to the formal traditions of architecture. The new experiences, then, could be understood in light of formal architectural training.

Le Corbusier.

Essay on Gothic Cathedral as Rhetorical Device Assignment

Acquaintances with cubist artists during Le Corbusier's early days seems to have made a lasting impression, and his modern buildings reflect his Cartesian orientation to symmetry and orderliness. His sensitivities seem inherently Swiss; his proclivity for industrial materials and stark functional construction belie a core reliance on structure and order. His style was moderately softened through the introduction of proportion, rhythm, and mathematical harmony. The source of these design elements was the golden ratio, and its influence is seen in his modular structures where proportion is dominant. Other architects were inspired by cathedral structure; Le Corbusier dreamt of ocean liners, and they took shape in his waking hours as clean, white structures on stilts punctuated by his version of portals and decks. In the same way that other architects admired the raw structural integrity of stone in the construction of cathedrals, Le Corbusier left the crude marks of the wooden forms on the inside and outside of the concrete surfaces -- a construction and conceit as honest as the dome of… [END OF PREVIEW] . . . READ MORE

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"Gothic Cathedral as Rhetorical Device."  Essaytown.com.  May 5, 2011.  Accessed February 28, 2021.
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