Jazz Performance: "Blues After Dark Term Paper

Pages: 4 (1038 words)  ·  Bibliography Sources: 0  ·  File: .docx  ·  Topic: Music

SAMPLE EXCERPT . . .

Suddenly, the trumpet and the saxophone begin to diverge. Whereas they were once playing the same melody in unison, they start to "talk" to one another. Dizzie Gillespie actually walks a few steps away to symbolize the changing relationship between the two lead instruments at this moment in the song. This relationship is solidified at the end of the song with the interesting vocals.

Style = BeBop

Role of Piano = Stride and Comping

Role of the Bass = Walking

Role of the Drums = Brushing and Riding

Role of the Trumpet and Saxophone = Lead and Melody

Performance: "Loverman," Dizzie Gillespie (trumpet), Sonny Stitt (tenor saxophone), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums). In Belgium 1958

"Loverman" begins with Sonny Stitt, and his saxophone doles out ribbons of sound in a flourish before launching gently into the main part of the melody. This is a down tempo number, and a little slow. However, Stitt lifts up the dynamics with his playing. The mood is sad, it is a ballad ideal for a slow dance. The sax, although unaccompanied by the trumpet or any other lead instrument yet, is not quite a solo, it is more of an introduction. The bass backs him up.

Style = Bebop ballad

Role of Piano = comping

Role of the Bass = rhythm and comping

Role of the Drums = Brushing

Role of the Saxophone = Lead and Melody

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Performance: "Blues Walk." Dizzie Gillespie Quintet Live in Belgium 1958 with Dizzy Gillespie (trumpet) Sonny Stitt (tenor saxophone), Lou Levy (piano), Ray Brown (bass), Gus Johnson (drums)

The drums feature firmly here, especially at the beginning. The drummer taps in the song, at first indicating a low tempo but then quickening it for the introduction of the head instruments, saxophone and trumpet. This is a lively, upbeat introduction. The trumpet and the saxophone start together, singing loud and clear with one another for a few bars. The same phrase is repeated for another bar, connected by the drums in between.

Style = BeBop

Role of Piano = Stride and Comping

TOPIC: Term Paper on Jazz Performance: "Blues After Dark," Assignment

Role of the Bass = Walking (lots of walking)

Role of the Drums = Mallets, sticks, riding

Role of the Trumpet and Saxophone = Lead and Melody

Conclusion

Dizzy Gillespie's 1958 Belgium performance is quintessential bebop. It is impossible not to appreciate and enjoy this music. Every instrument comes together in unison and has its place. However, the real stars that shine here are Dizzy Gillespie and Sonny Stitt. The tenor saxophone and the trumpet player dominate this concert, showing the full potential of their respective instruments. Their solos are impressive, especially Gillespie's trumpet solo in the "Blues After Dark" recording and Sonny Stitt's in the "Blues Walk."

The only thing I could have done without was "Lover Man." This song has a role as a slow dance number within a greater bebop set, but the impact of that song was much less than for the other songs in the recording. "Lover Man" showcases the… [END OF PREVIEW] . . . READ MORE

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