Music or Musical Theatre Term Paper

Pages: 4 (1248 words)  ·  Bibliography Sources: ≈ 2  ·  File: .docx  ·  Topic: Music

SAMPLE EXCERPT . . .

In fact, these two forms of music are the closet types of music that I can compare Forest Flower to -- which is interesting because jazz predates both of them.

The second song actually delivers on all of the magic and the mysticism to which the first song alludes to. It is quite revealing that the first of two songs on the second side is called sorcery. The piano work on this song, as well as on the other on this side, certainly has connotations that are suggestive of a frenzied spiritual encounter. The tempo is decidedly faster than the song on the first side, and continues at a breakneck pace for the duration of side two. Whereas there are a number of pianissimo passages on the first side -- especially during the song's finale, which first climaxes and then hangs on for a few more precious moments -- the second side is the exact opposite and provides a howling, whirling stamping of music that is unlike most modern jazz efforts.

EVALUATION

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As the second side of this album strongly implies, jazz music was developed out of a larger countercultural movement that took place in the early part of the 20th century. This fact explains the urgency of a number of the pieces on Forest Flower, which is demonstrative of this music as a whole. There were several social and political issues that were going on in the early part of the 20th century which jazz was influenced by. Its popularity increased after the Second World War during the baby boomer generation when segregation was still prevalent and racism and bigotry reigned freely over the country.

TOPIC: Term Paper on Music or Musical Theatre Like Assignment

Jazz played a prominent role in the beatnik movement, and was certainly rebel music in the fact that it was the music of a younger generation which indulged in drugs, and a counterculture that was the opposite of the post war culture in which ideals of a picket fence, a dog, and 2.5 kids was everywhere in the country. This aspect of jazz is what actually made it revolutionary and dangerous during this time period and that during the Civil Right Movement (Forest Flower was recorded during the height of the latter movement, in the turbulent 60's). This energy explodes from the fingers of these live performers and almost transcends the music itself with a kind of abandonment which is joyous on the first side, and just shy of dangerous on the second.

CONCLUSION

In conclusion, an examination of several different aspects of Forest Flower reveals that despite the reputation of so-called cool jazz as boring elevator music to play for senior citizens, real jazz is anything but boring or "vapid" (Baraka 179). In fact it is dynamic, riotous, and able to go from 0 to 60 miles per hour (musically) in a matter of seconds. Its socio-political roots were part of a countercultural movement that included both the Beatnik and the Civil Rights movement attests to the vibrancy and rebelliousness of this music. Furthermore, the extremes that this music touches on one album, form sorcerous music fit for a seance to superb music to take a date home with, prove that it is anything but boring. Regardless of what sort of feeling a particular song is doing, the acoustic nature of this music and the enthusiasm of the players gives it a sincerity that is only matched by some of the most passionate and heartfelt music in rock and roll and in rap music.

Works Cited

Baraka, Amiri. The LeRoi Jones/Amiri Baraka Reader. New York: Thunder's Mouth Press. 1991. Print.

Baraka, Amiri. The Autobiography of LeRoi… [END OF PREVIEW] . . . READ MORE

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