Music and 1960s Pirate Radio Caroline Research Paper

Pages: 4 (1328 words)  ·  Bibliography Sources: 3  ·  File: .docx  ·  Level: College Senior  ·  Topic: Music  ·  Written: December 20, 2019

SAMPLE EXCERPT . . .
It was more about a movement than it was about piracy. It was about helping independent artists to take ownership of their content and to use the airwaves to get their content out to people, too, instead of being railroaded by the major studies and broadcasting companies. The concept was so successful that Radio Caroline would go on to merge with Mi Amigo. But as with any new, great innovative idea, it would soon be tested by fire by the legislators in Parliament working for the corporations in London. The Marine, &c., Broadcasting (Offences) Act 1967 banned advertising on offshore radio stations like Radio Caroline. The justification for the Act was that pirate radio could interfere with the radio frequencies of emergency shipping channels and thus it was a danger to the public. There was also the matter of international agreements regarding airwave usage—but the reality was that it was the UK government’s attempt to shut down the competition of the BBC.

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Radio Caroline simply moved locations and re-anchored in the Netherlands, where offshore radio would not be banned for another seven years (Radio Caroline). However, Radio Caroline would not survive that long—in 1968, its ships would be raided and confiscated and O’Rahilly would not get back into the business of pirate radio until 1970 when working with a new set of entrepreneurs looking to tackle political issues with their pirate radio station of the English coast. Together they brought Radio Caroline back to life and began attacking the Labor party in England over the air (Radio Caroline). The UK government did not like that at all—but the influence of Radio Caroline was too strong and Labor lost at the polls that year. O’Rahilly felt partially appeased: it was sweet revenge for what the UK government had done in taking his ships two years prior; however, he wanted more (Radio Caroline).

Research Paper on Music and 1960s Pirate Radio Caroline Assignment

Ronan O’Rahilly took Radio Caroline to the Dutch in the following years where he embraced the essence of the Hippie movement in the West—love, peace, mellow sounds and homeopathy were the essential elements of Radio Caroline in the 1970s (Radio Caroline). However, in the mid 1970s the need to return to roots became evident and Radio Caroline once more began focusing on the music and the artists that had made the pirate station important in the first place—and this was what the people and fans of Radio Caroline wanted: they wanted a voice and a musical artistic expression that was their own—not something owned by the industry or the broadcasting stations (Radio Caroline).

In conclusion, Radio Caroline was a pirate radio station that supported the idea of freedom in media—the idea that music once created was there to be shared. It was more than that, however. It was an attack on the established business world, where corporate media had the final say in who got airplay and who did not. Radio Caroline was a rebellion against the established pecking order in media and Ronan O’Rahilly was viewed as a hero for many who wanted independent artists to get the airplay they deserved. For these reasons, Radio Caroline’s existence was legitimate and justified: it was about the music and the people who made music as independent artists. It was about getting their voice and their works out there to people and helping them to gain popularity. They may not have made money on the venture—but it is really no different from working class bands today: today, musicians get paid from touring—the media content is there to get fans, and so it was with Radio Caroline.

Works Cited
  1. Harris, Paul. Broadcasting From The High Seas. Paul Harris Publishing Edinburgh, 1977.
  2. Radio Caroline. “History: Don’t Get Mad, Get Even.” http://www.radiocaroline.co.uk/#history/history_part_2.html
  3. von Joel,… [END OF PREVIEW] . . . READ MORE

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