Richard Long Term Paper

Pages: 2 (744 words)  ·  Bibliography Sources: ≈ 7  ·  File: .docx  ·  Level: College Senior  ·  Topic: Art  (general)

Richard Long was in born in Bristol, England on June 2, 1945 (Spector pp). From 1962 to 1965 he studied at West of England College of Art, and by 1964, he was making Earthworks and experimenting with the idea of Impermanence, "a theme that would inform his work throughout his career" (Spector pp). Long studied under Anthony Caro and Phillip King at the St. Martin's School of Art in London from 1966 to 1968, and in 1967, he introduced walking as an art form, followed by his first solo exhibition in 1968 (Spector pp).

Says Long, started working outside using natural materials like grass and water, and this evolved into the idea of making sculpture by walking. Walking itself has a cultural history, from Pilgrims to the wandering Japanese poets, the English

Romantics and contemporary long-distance walkers" (Long pp).

Walking is in Long's blood, his parents met at a ramblers' club and his earliest childhood memories are linked with outdoor pursuits (Gayford pp). Long says, "My father used to take us down to see the spring tides...I grew up playing on the tow-path" (Gayford pp).

Long and his father often went "youth-hostelling and hitch-hiking together" and to this day walking is a compulsion (Gayford pp). Long recalls that he was always an artist, always drawing and painting, and his parents let him draw all over his bedroom walls (Gayford pp). And when he was five years old, the headmistress of his school made a deal with him that if he came early, he could have his own easel and paint through the morning service on his own (Gayford pp).Buy full Download Microsoft Word File paper
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Term Paper on Richard Long Assignment

After 1969, Long created environmental works all over the world, documenting his walks with texts, maps, and photographs, and as he began to exhibit more frequently, "he was forced to confront the relationship between his walking and the presentation of his work in a gallery" (Spector pp). At the Dwan Gallery in New York, he walked a spiral on the floor with boots muddied from the soil of England (Spector pp). In the 1980's, "Long began making new types of mud works using handprints applied directly to the wall...he also constructed large lines and circles of stones, slate, and sticks, often collected on… [END OF PREVIEW] . . . READ MORE

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"Richard Long."  Essaytown.com.  April 28, 2005.  Accessed August 8, 2020.
https://www.essaytown.com/subjects/paper/richard-long/23442.