Essay: Southern Stories Revelation

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[. . .] Emily's ways of doing things is quite a representation of the reluctance to adopt change that was witnessed in the Southern States. Her resistance to change raises some issues considering the fact that the people of Jefferson could have forced or pressurized her to conform to her environment. Emily is symbolic as she represents the Southern States during the 1930's. She had been the subject of discussion in Jefferson for some time. They had been watching her every move since her father's death. They were unable to confront her not even make contacts with her, even the narrators tone suggest an existence of a problem that could not be solved. Nonetheless, after her death, her house reveals all the filth that made her special. Such was the condition of the Sothern States in regard to in human acts and specifically racial discrimination. She even kills her suitor in order to gain control over him an indication of the in humane activities at the time in the Southern states. In the same line, O'Connor's story presents a realistic portrayal of class divide and the inextricable memory of the southern past. The character of grandmother seems to manifest the critical issues at that time including classism, racism and feelings of defeated regional pride after the Civil War. She is selfish and considers herself superior freely passing judgment on others revealed when she sees a black child where she says, "Little niggers in the country don't have things like we do" (O'connor 1144). This particular scene of the Negro child and the grandmother is indicative of the wide spread racial discrimination in that era. Grandmother, the main character is ridiculous as she professes to be good to a select few of her social and racial identity thereby betraying the religious tag. She takes advantage of her influence to instill derogatory traditional ideas not only on her children but on her grandchildren as well; she is too selfish to realize that she needs to self-critic, to check her own hypocrisy and dishonesty. The author also points at the manifestation of classism and racism by introducing the Tower, a symbol of authority representing the authorities of the southern states that embraced segregation.

The two stories present an interesting aspect that of spectators, those who watch as things happen and are non-vocal about them. In Faulkner's A Rose for Emily, the town's people are silent about their suspicions they don't even bother to take any action, but would rather gossip about the happenings, "When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument..." (Faulkner 484) he goes on to say that "…the women mostly out of curiosity to see the inside of her house..." (Faulkner 484). In O'Connor's A Good Man is hard to find, the reader is the spectator looking critically at the unfolding events highlighted by mentions such as "Little niggers in the country don't have things like we do" (O'connor 1144).Though this element is also evident in Faulkner's A Rose for Emily, the main purpose is to get the reader to take a stand against what is happening. These stories were written at a time when there was a growing concern about the evil taking place in the south and the writers used these stories to help trigger a sense of revolt against the system.

In conclusion, both stories, A Rose for Emily and A Good Man is Hard to Find, bear elements that point at the era in which they were written. The two stories carry underlying message, despite the fact that they differ in the way O'Connor creates her characters. The two writers were part of the Renaissance movement as evident in the stories. The two stories have tittles that are ironic and are the major carriers of the messages. They portray the state of affairs in the southern states in the 1930s and more so the racial discrimination and the southern establishments reluctance to change. The stories turn their readers into spectators of the unfolding events thereby instilling a feeling of sympathy especially to those subjected to the inhuman conditions. O'Connor's unique use of her characters especially sheds more light into the intrigues of classism and racism as well as… [END OF PREVIEW]

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Southern Stories Revelation.  (2012, December 15).  Retrieved September 15, 2019, from

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"Southern Stories Revelation."  15 December 2012.  Web.  15 September 2019. <>.

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"Southern Stories Revelation."  December 15, 2012.  Accessed September 15, 2019.