Essay: Women s Experiences in a Chinese Society

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[. . .] Wang. She was dependent on her husband and yearning for a materialistic life during that time. Mrs. Wang is a dependent traditional woman who is criticized by May Fourth movement for asking money from her husband Dr. Wang. Wei Ming and Li Aying are the advocates, and they work as music teachers yet living with self-determination.

The tumbler is a property which appears in the film multiple times, it’s as a symbol of a new woman who is not ready to fall down.

Wei Ming got huge attention from different men including Dr. Wang, the journalist, and the procurer. All these men only treated her as a commodity because of her beauty. Even the madam told Wei Ming multiple times, “she can make money easily as a young woman.” We can see how the majority of people treat the new woman, Wei Ming, who is independent, chill and ambitious. In other words, Wei Ming is the character of the pretty-bourgeois intellectuals who show estrangement from others. When Wei Ming’s daughter was sick, she needed money but she rejected Dr. Wang’s diamond ring, which was worth a lot of money. When her daughter’s condition worsened, she turned to prostitution in which her first customer is the seedy Dr. Wang. However, the idea of selling herself to him is the one thing that Wei Ming cannot bear. In this case, she can bear selling her body but not her spirit to the seedy man. Despite her efforts to survive, she collapsed and attempted to commit suicide.

When Wei Ming was in hospital and surrounded by her friends in medium shot, Yu appears in the left foreground to encourage her to live. Wei Ming notices and smiles to him, and the camera retreats slightly to frame her with the man who talked to her. It’s an attention-getting way to introduce, for the first time in the movie, that a man is on Wei Ming’s side.

At the end of film, when Wei Ming woke up from attempted suicide, Li Aying’s persuasion expressed the ideology of new women, “No matter how painful life is suicide is for the weak.” A woman cannot topple over. Life is a struggle, if you fall down you must get up again and you are certainly going to be victorious in the end.

The director again uses the montage technique in the end to express the Proletarian revolutionary consciousness. From the scene, Li Aying fought with Dr. Wang as she appears to be more masculine that any other woman in the film because of her outfit and hairstyle. She was the only woman who won the men by herself. As a result, we can see Li Aying’s powerful energy which Wei Ming did not have.

Towards the end of New Women, the train whistle is superimposed over a millions of workers as the director uses long shot emphasize this. When the car drives close to us, we can see the millions of workers following afterwards. Additionally, the director uses close shot in different areas including when Dr. Wang throws out the newspaper with Wei Ming’s suicide news and when one of the female workers stepped on the newspaper. Already a target of the Chinese gossip press and under a great deal of strain in her personal life, Wei Ming’s death continues to be commercially marketable until the last minute.

The director made an interesting movie in which Wei Ming is a metaphor of the time when women in the society strive for the future, but are unable to overcome the present, which is men’s entitlement. Wei Ming’s last words are, “I want to live!” These words represent the desires of millions of Chinese women in that society. [END OF PREVIEW]

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Women s Experiences in a Chinese Society.  (2017, October 19).  Retrieved September 21, 2019, from https://www.essaytown.com/subjects/paper/women-s-experiences-chinese-society/6889585

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"Women s Experiences in a Chinese Society."  19 October 2017.  Web.  21 September 2019. <https://www.essaytown.com/subjects/paper/women-s-experiences-chinese-society/6889585>.

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"Women s Experiences in a Chinese Society."  Essaytown.com.  October 19, 2017.  Accessed September 21, 2019.
https://www.essaytown.com/subjects/paper/women-s-experiences-chinese-society/6889585.