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Renaissance Art Ghirlandaio's "Old Man Research Paper

… The use of shade helps develop the sense that there is perspective in the painting and that objects that are closer or farther away appear so. There is also a window by which the old man and child are sitting in which appears an outdoor scene. The window shows two hills, one clearly behind the other and a road which winds through the countryside, becoming ever larger the closer it gets. The small scene shown through the window is a perfect example of how the artists of the Renaissance used perspective to create a realistic portrayal of the world around them.

Finally, like many Renaissance artworks Ghirlandaio's "Old Man with his Grandson" is strictly secular in its subject, without any religious influence. The painting is…. [read more]

Art in the Renaissance Essay

… Christ is additionally "also framed by the pediment above and back-lit by the open window behind. Thus, Leonardo was keeping up with the innovative artistic techniques developed early in the Quattrocento." (Italian Renaissance, 2014, p. 1)

The Italian Renaissance reports that while there has been the depiction of the Last Supper in art many times previous to Da Vinci's work that this specific moment in the story "is one which had not been depicted. This dramatic moment opens a door for Leonardo to explore the psychological reactions of the figures involved." (2014, p. 1) For example, the apostles are linked by their hand movements with emotions reported to range "…from protest (Philip, #8) to sadness (John, next to Christ) to acceptance (Christ). Judas, however, is…. [read more]

Renaissance and Early Twentieth Century Term Paper

… Indeed, this is evident in the stylized exaggeration of limp watches set in a bleak landscape with the metal attracting ants like decaying flesh. The surrealist depiction of the monstrous fleshy creature in the center of the painting is also typical of modern art, which often leaves the interpretation of the artist's meaning to the viewer (MoMa, 2004).

A comparison of the two works reveals the use of techniques of proportion and light by both artists. The intended messages of both paintings are also unmistakable. However, while the details of Raphael's work are easy to interpret, the use of surrealism by Dali calls for a far more labored analysis. Indeed, perhaps this is precisely why modern art does not enjoy the degree of universal appeal…. [read more]

Italian Renaissance Don't Know Where I Got Term Paper

… Italian Renaissance don't know where I got my passion for drawing. It certainly wasn't from my father: he never enjoyed art and thought that artists were only a waste of somebody else's time. He was truly upset when he found out how much you could make on a commissioned painting, he who earned that much in a year. My mother however had a taste for fine things and encouraged my childhood attempts at drawing. I used to spend most of my time in school drawing sketches of my fellow students and imagining what it would like to be a real artist. Only imaging though the art god was however kind to my cause: Ghirlandaio, the great master of our times paid a visit to one…. [read more]

Italian Renaissance Term Paper

… Italian Renaissance was the beginning of the Renaissance, a period of achievements and cultural changes that extended from the late XIV century until about 1600, constituting the transition between the Middle Ages and modern Europe.

The word Renaissance has a very explicit meaning that represents the renewed interest for the period in the culture of classic antiquity, after what would then be called "The Dark Age." Those changes, although significant, were concentrated in the upper classes, and for most of the common people the life style had little change compared to the middle ages.

Italian Renaissance began in Toscana, having its epicenter in Florence and Siena. This was followed by a powerful impact in Rome. The peak of the movement appeared at the end of…. [read more]

One Religious Image as Depicted by Three Different Artists Essay

… But perhaps the most striking realism of the work is its portrait of Christ who looks like a real baby, tended to by his mother, in contrast to the young divinity standing proud on a throne in the Masaccio. Botticelli's work is a depiction of the Virgin in a true, intimate and domestic scene as a human mother.

Botticelli's Virgin shows a clear shift in favor of the humanism characteristic of the Renaissance era: "Classical Greek philosophy was also consistent with the new mood of 'Humanism' which arose in Italy at this time. Humanism was a way of thinking which attached more importance to Man and less importance to God. Although Christianity remained the only religion, Humanism reinterpreted it so as to give it a…. [read more]

Italian Renaissance Art an Analysis Essay

… Italian Renaissance Art

An Analysis of Three Paintings by Masaccio, Fra Angelico and Botticelli

This paper will examine three religious works by Masaccio, Fra Angelico, and Botticelli and show each works reveals its meaning through a complex formula of Renaissance religious symbolism and naturalistic beauty.

Religious symbolism in the Italian Renaissance was a didactic tool that could be used in painting to educate or inspire the viewer by connecting the subject of the artwork to underlying themes or overarching ideas. In Masaccio's Holy Trinity (c. 1425-28), religious symbolism takes the form of the Trinity, represented by God the Father, supporting God the Son, crucified on the cross, and the Holy Ghost symbolized by a dove perched upon Christ's halo. This rich symbol can be understood…. [read more]

Detroit Institute of Arts Essay

… The woman standing on the beach is showing her legs in a pose that suggests the intention of grabbing her companion's attention, but every silhouette in this painting appears to be living in a world of her own, with her own thoughts and preoccupations. No features are visible, but there are stories to be told with every character.

One of the temporary exhibitions going on at the museum is titled "Motor City Muse: Detroit Photographs, Then and Now."

It is one of those exhibitions that offers a glimpse into an urbane, ephemeral world, great artists like Henry Cartier Bresson, Robert Franck or Bill Rauhauser were able to capture and make it permanent.

Van Gogh's "Bedroom in Arles," lend by the Musee d'Orsay in Paris, until…. [read more]

Influence of Renaissance Term Paper

… influance of Renaissance.

Renaissance, in its general understanding is viewed as a historical age in Europe which covered the period between the Middle Ages and the Reformation. Its extent was from the 14th to the 16th century. "The Italian Renaissance of the 15th century represented a re-connection of the west with classical antiquity, the absorption of knowledge (particularly mathematics), a focus on the importance of living well in the present (Renaissance humanism), and an explosion of the dissemination of knowledge brought on by the advent of printing. In addition, the creation of new techniques in art, poetry, and architecture led in turn to a radical change in the style and substance of the arts and letters. The Italian Renaissance was often labeled as the beginning…. [read more]

Michelangelo Biography and Detailed Information Term Paper

… The artist depicts the sublime act of creating Adam through a simple touch of the finger. A touch, yes, but not completely physical: God's index never touches Adam's, but let's us imagine God's whole power. Between God's index and Adam's finger, one can see the glitter of a superior will and of a superior power. Symbolically, God is surrounded by angels and by an elliptical mantle that signifies the initial 'cosmic Egg' from which everything emerged. One can notice that Adam himself forms an ellipse, but only an incomplete one: he needs God's soul-giving touch for him to complete himself as a being. For indeed, Adam is physically created: he has been made in God's image, as the similitude in the two bodies structure points…. [read more]

Religious Art Works Essay

… Leonardo used a new and startling type of composition that was done in a realistic way. The central point of his perspective is Jesus Christ and uses lines in the architecture in order to create depth. His work transformed the last supper as a stronger and more realistic scene (Essential humanities, 2013).

The Baroque period

In this period we look at Tintoretto 'a.k.a' Jacopo Comin work of religious art .the particular work of art on focus is his painting on the last supper. This work of art was done between 1592 and 1594.the medium that was used in this painting was oil on canvas. The current location of the painting is Basilica di san Giorgio Maggiore, in Venice (Art and the Bible, 2012).

Tintoretto did…. [read more]

Italian Renaissance ("Rebirth Term Paper

… For instance, he is believed to have picked up the philosophy of Neoplatonism (which regards the body as a trap for a soul longing to escape and return to God) at the time. Many of Michelangelo's works are believed to incorporate this philosophy as his human sculptors, in particular, appear as if they are struggling to break free from the stone that imprisons them. ("Michelangelo," Malaspina Biography)

Lorenzo de Medici possessed a large collection of classical Greek and Roman sculptures and Michelangelo studied them deeply. In some of his early sculptures he imitated the classical works so perfectly that they could easily be passed off as original Roman sculptures. However, Michelangelo's over-riding ambition from the beginning was to get his inspiration from the classical works…. [read more]

Biography of Michelangelo Research Paper

… ¶ … Michealangelo

Michelangelo di Lodovico Buonarotti Simoni was born on March, 6, 1475 in Caprese, Tuscany and is presently recognized as one of the greatest artists of all time. He brought great contributions to the Renaissance period, and, along with Leonardo da Vinci and a series of other important artists that lived during the era, he managed to change society's perceptions in regard to art. Michelangelo's character was especially intriguing because of his ability to generate impressive artwork in all domains that he got involved in. His family was apparently interested in having Michelangelo pursue a career in financial-related domains, most probably with the purpose of continuing the family's tradition and because this was believed to be a profitable enterprise at the time. After…. [read more]

concise Analysis of The Last Supper a painting by Leonardo da Vinci Research Paper

… Drawings at Windsor Castle by Kenneth Clark (1937) brought to being a first comprehensive peek into the huge complexity of the figurative world of Leonardo. With lucid and terse English, he focused on myriad details. In the 1965-second edition, which was jointly produced with Pedretti, there emerged a serious shot at chronological succession and development. In the 1970s, came a sequence of studies that demonstrated those which appeared to be admired drawings. In actual sense, they were precise visuals of the landscapes of Italy. Progressively, Leonardo's image as an idealized artist led to the introduction of a Renaissance edition of him, which showed that he recorded nature (cited in Veltman 383).

Two eras of historians of art gave deeper meaning to the upcoming image of…. [read more]

Sandro Botticelli Italian Painter Term Paper

… Works

Adoration of the Magi (c. 1475) was one such work that showed the patronage of the Medici (Harden). A theme popularized and commissioned by a banker connected to the Medici household, Botticelli incorporated various members of the Medici household in the painting. In the painting, Cosimo de Medici, his sons Piero and Giovanni, and his grandsons Giuliano and Lorenzo were all displayed, four of them portrayed as the Magi. Adoration of the Magi is also well-known for Botticelli's having painted his self in the scene; as a bystander and onlooker (Lightbown, 1989).

Madonna of the Magnificat was commissioned and painted in 1481. In a similar style to that of Adoration of the Magi, once again Botticelli painted the Medici family, this time that of…. [read more]

Last Supper Research Paper

… Continuing the discussion of the painting's layers and complexities, some art historians reflect upon "The Last Supper" categorizing and identifying various levels upon which the painting operates and communicates.

The truth of the matter is that the painting is a true grand complication…The first level of meaning is the scene itself. Leonardo chose an exact moment in the Gospel narration of the Last Supper. "In truth, I tell you, one of you will betray me…" says Jesus, who is shown in the act of speaking. This revelation surges outwards amongst the Disciples who react, each in his own way, coalescing them into four groups of three. Christ has an expression of resigned sadness and at the same time, an assured and regal poise. He gestures…. [read more]

Cultural and Construction History of the Renaissance Essay

… Cultural and Construction History of the Renaissance (1450 to 1600)

Cultural Environment

The European Renaissance between the fifteenth and seventeenth centuries began in Florence. It was not a sudden rebirth from the Dark Ages, but approximates more a refocusing outward politically and intellectually. Europe had become more than a series of small principalities vying for hegemony. There were larger cities, a more educated population, and a growing technology that allowed states to concentrate on growth and improvement. Italian cities were freed from feudalism, and were more mercantile and less hinged around a monarch (Skinner 69). On a cultural level, the Renaissance signalled a rebirth of learning and educational reform. People returned to classical works and revised their position on Christianity. There was a rise in…. [read more]

Michelangelo Was the Greatest Sculptor Term Paper

… Despite Michelangelo's cruelty, the Pieta survived, bruised and scarred, and remains a "sublime monument to the torments of love and the yearnings for salvation of Michelangelo Buronarotti."

Michelangelo is quoted as once saying, "Whenever (as very rarely happens) a great painter makes a work that seems false and deceitful, that falseness is truth, and greater truth in that place would be a lie."

From the end of the 15th century, the Florentine artistic culture showed signs of a "particular preoccupation with the analogies between human making and the creative act of God."

By the mid-16th century, Michelangelo had come to "epitomize the conception of a divine artist, to the extent that he appeared to have overcome the distinction between the two modalities."

Vasari believed that…. [read more]

Visions of Papal and Ecclesiastical Supremacy: Michelangelo Thesis

… Visions of Papal and Ecclesiastical Supremacy:

Michelangelo, Raphael, St. Peter's Basilica, the Sistine Chapel, and the Tempietto

The traditional world was one of connection and unity. The medieval church represented the intersection of the mundane with the sacred, the coming together of the institutions of humankind with the institutions of God. Like God on high, the Church was a focal point, the center of all things, the point from which all came and to which all returned. The spiritual mingled with the material and so represented the entirety of possible existence and experience. The human world, like the divine cosmos, was multilayered, the different classes of beings forming a careful hierarchy. Subcultures existed within larger cultures. Local communities were microcosms of the larger society that…. [read more]

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