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Michelangelo and the L'antico Research Paper

… Michelangelo and Antiquities

Michelangelo and the L'antico

The preservation of antiquities plays an important role for humans. They connect us with out past and remind us of who we were, who we are today, and how we got where we are. The preservation of antiquities is not a new idea. The stewardship of antiquities has always been considered to be an important role. This job was often only relegated to those who played an important role in the current society. As such, the stewardship of antiquities became a status symbol as early as the Middle Ages. The importance of antiquities in human society and the love of them led to the desire to reproduce many of the great works that marked important civilizations or important…. [read more]

Michelangelo's Sistine Chapel Term Paper

… While there is literal and symbolic meaning in the ceiling's content, it is also significant to consider the reality that the artist experienced to create this masterpiece. What the artist went through as part of the creative endeavor is a noteworthy aspect of the context within which the painting was created.

The paintings on the walls and on the ceiling are widely considered to be the peak of Renaissance art. Most praise goes to Michelangelo's ceiling and Last Judgment on the wall behind the altar. Several popes have had their say in the development of the art in the chapel. In that process, four phases can be distinguished & #8230;The painting of the ceiling took four years. It took its toll on Michelangelo's health: working…. [read more]

Sculpture Michelangelo Term Paper

… Art

Michelangelo and Me

Michelangelo, welcome to my home. I'm so happy to finally meet the sculptor of 'David,' that most magnificent of creations."

Thank you, your highness. I saw the angel in the marble and carved until I set him free" ("Sculpture Gallery").

I am hoping you can do the same for me. My husband, the King, is my shining light, and I wish for you to sculpt him in the manner of David, larger than life, so I may install your masterpiece in my sculpture garden, based, of course, on the Medici garden where you first began your study of sculpture so long ago."

How would you like him portrayed, my lady?"

Heroically, like David, as my dearest husband is my own conquering…. [read more]

Michelangelo's Zeal for Defying the Norm Research Paper

… Michelangelo's Zeal For Defying The Norm

Michelangelo's enduring influence

Michelangelo's creativity

Michelangelo's Emphasis on Visual Effects

Emotional nature of Michelangelo's effects

Success of visual effects

Beyond Borders

How Michelangelo's work influenced many states

Future Generations Inspired

Michelangelo influenced his younger peers

Michelangelo continues to influence architecture

Architectural Designs Inspired from Michelangelo

Michelangelo -- Inspiration for Design and Approach

Michelangelo's continuing influence

Most influential works

N ame

Michelangelo's devotion and emphasis on the overall design of a creation is obvious in his work because he often translated concepts from one field to another and the most renowned was his interest in the male figure that he not only portrayed in his paintings but also into his sculptures. Michelangelo is well-known for his interest in the human…. [read more]

Michelangelo Biography and Detailed Information Term Paper

… The artist depicts the sublime act of creating Adam through a simple touch of the finger. A touch, yes, but not completely physical: God's index never touches Adam's, but let's us imagine God's whole power. Between God's index and Adam's finger, one can see the glitter of a superior will and of a superior power. Symbolically, God is surrounded by angels and by an elliptical mantle that signifies the initial 'cosmic Egg' from which everything emerged. One can notice that Adam himself forms an ellipse, but only an incomplete one: he needs God's soul-giving touch for him to complete himself as a being. For indeed, Adam is physically created: he has been made in God's image, as the similitude in the two bodies structure points…. [read more]

Sculpture as Art Term Paper

… This is one of the most controversial areas of art today. Sculptors are using all kinds of medium, from clay, to stone, to fabric and trash. Yet, they are all creating some type of art that appeals to someone. Art is not only about the creation of something that another person can enjoy; it is about making a statement, or telling a story.

Michelangelo told a story with his sculptures. Most of them are religious in nature, and were a reflection of his strong religious beliefs. Modern sculptors often feel just as strongly about their medium, they want to create something new, something different, and something that has not been tried before. Often, artists are not recognized in their own time, but their work is…. [read more]

Renaissance Sculpture the Division Term Paper

… Michelangelo's David seems completely serene and confident. Donatello did not carve detail in the eyes of David, while Michelangelo did render the iris. Moreover, Donatello found it striking to have David proudly display the vanquished Goliath. This echoes the classical stance of victor standing atop the vanquished. While both Davids are influence heavily by the classical arts and humanist philosophy, it is clear that by Michelangelo's time, all Gothic remnants were cast off of Italian sculpture.

Michelangelo ascribed to what Trewin Copplestone calls "the criteria of classical excellence," (21). The art of the High Renaissance was a culmination and successful combination of the classics and Christianity. Moreover, art became endowed with spiritual power during this time. Just as Vasari deferred to Michelangelo as "Il Divino,"…. [read more]

Compare and Contrast Sculptures of Michelangelo and Rodin Research Paper

… Michelangelo and Rodin: Thinking Outside the Box

One of the most common catch phrases of our day is "think outside the box." Every generation assumes this is a new responsibility they must assume in order for things to progress when the truth is most innovative thinkers, creators, and artists thought outside the box all the time. Two artists to successfully think outside the box and literally change the art world where Michelangelo and Auguste Rodin. Both artists attempted to reach for more than what they knew and they understood the power of art. Each man knew capability was something to which he could aspire and what he could achieve was limitless. They were artistic visionaries, and dared to represent life realistically. They wanted not only…. [read more]

Da Vinci and Michaelangelo Term Paper

… Her figure, the human body that da Vinci portrayed, is so dynamic that the mythology of the painting has surpassed the actual image itself. This is added to by the fact that she is in very dark clothes. These do not attract much attention and that is why the eye pays more attention to the figure. Also, the background serves the same function. When looking at the background of the painting, you can see some vaguely natural shapes like something that looks like trees and a river or lake, but they are blurry and undistinguished. Again it seems that rather than adding to the picture, they are forcing you to focus on Mona Lisa.

Michaelangelo painted the ceiling of the whole Sistine Chapel. It is…. [read more]

Michelangelo Was the Greatest Sculptor Term Paper

… Despite Michelangelo's cruelty, the Pieta survived, bruised and scarred, and remains a "sublime monument to the torments of love and the yearnings for salvation of Michelangelo Buronarotti."

Michelangelo is quoted as once saying, "Whenever (as very rarely happens) a great painter makes a work that seems false and deceitful, that falseness is truth, and greater truth in that place would be a lie."

From the end of the 15th century, the Florentine artistic culture showed signs of a "particular preoccupation with the analogies between human making and the creative act of God."

By the mid-16th century, Michelangelo had come to "epitomize the conception of a divine artist, to the extent that he appeared to have overcome the distinction between the two modalities."

Vasari believed that…. [read more]

Michelangelo Buonarroti and Leonardo Da Vinci Term Paper

… ¶ … art of Michelangelo Buonarroti and Leonardo da Vinci. Specifically, it will discuss Michelangelo's sculpture David, and Da Vinci's painting the Mona Lisa. These two works are some of the most well-known and best-loved works by these two immortal artists. They represent some of the finest artwork they created, and illustrate how they were masters of their craft and communicating their ideas, as well. Their artwork indicates their knowledge of composition, perspective, symbolism, and many other important aspects of great works of art. Studying these two masterpieces can give a true understanding of artistic components and great technique.

Michelangelo was not the first artist to attempt to capture David in sculpture; several other versions came before Michelangelo's beloved statue that still stands today in…. [read more]

Is the Architecture of Michelangelo Mannerist? Essay

… ¶ … Michelangelo's art. Specifically it will discuss the architecture of Michelangelo and whether it was the Mannerism style or not. Mannerism refers to a time of European art that began around 1520 in Italy, and lasted until around 1580 to 1600, when the Baroque style of art and architecture began to replace it, but it did continue in many forms until the 17th century. The characteristics of Mannerism include artificial qualities that go against the harmonious, natural elements of High Renaissance art, and a great deal of sophistication, complexity and innovation in design. Michelangelo was one of the greatest practitioners of Mannerism for several reasons.

Elegance and innovation are two of the primary elements of Mannerism, and Michelangelo certainly practiced both those elements in…. [read more]

Michelangelo Created the "Madonna Term Paper

… Thus the artist's "Madonna of the Stairs" enjoys a reception as one of the first works of the Renaissance both at the time and centuries after his death. The integrity of this work was thus an accepted given.

After 1550 however, the culmination of the Renaissance came to an end, and criticism came to be leveled against art for issues such as nudity and the portrayal of biblical figures in artistic works. Michelangelo here was also a pioneer, as he is said to be the first artist in conflict with the Counter Reformation movement of the Church. Nonetheless, his Madonna of the Stairs did enjoy the privilege it deserved both at the time and in current artistic circles.


Art History. "Michelangelo."

Brunskill, Joan.…. [read more]

Raphael / Michelangelo / Donatello Essay

… That is because the physical perfection of the statue -- with it bulging and rippling musculature -- makes this David look like a super-hero or erotic fantasy.

In terms of my own taste and assessment, however, I would take the position that probably the least number of actual art historians would take: my favorite of these three is Verrocchio's. Michelangelo's David, while impressive, has stopped being about what it is meant to represent: we feel like the art here is not glorifying a religious referent, but rather itself. And Donatello's David is frankly bizarre, even if it is arresting as art. What is interesting about Verrocchio is that he occupies a crucial, if perhaps underappreciated, niche between Donatello and Michelangelo. In some sense, Verrocchio may…. [read more]

Greek Sculpture a Timeline Essay

… Coming out of the end of the Hellenistic period -- that period of Alexander the Great (the Macedonian who subjugated nearly the entire known world before his young death but granted some of Greece a breadth of freedom to govern itself) -- and the beginning of the Roman invasion, The Dying Gaul displays all the sensitivity, tragedy, and pathos that Greek culture now emphasized. Its days of glory and idealism were over (they had flourished under the reign of Pericles, when the artist Phidias was at the height of his power developing the statue of Athena for the Parthenon). As Johnson says, "The earlier artists celebrated the ideal joys of man, the later ones his real tragedy" (p. 67).

7. Unknown, Winged Victory of Samothrace,…. [read more]

Baroque Caravaggio v. Michelangelo: What Is Occurring Term Paper

… Baroque

Caravaggio v. Michelangelo: What is occurring in the culture that would make an emotional, dramatic appeal interesting to the patrons of the arts?

Caravaggio created his work during the Counter-Reformation, after the Protestant Revolution, unlike Michelangelo. The Catholic Church desired to counteract Protestantism by creating a sparer and more individualistic form of Christianity, while still retaining its power. This is reflected in the art of the period, as Caravaggio's use of tenebrism makes the figure of Saul, and the story of Saul, more important to the picture, rather than simply celebrating the human body like the Renaissance-era artist Michelangelo. The greater interest in the individual explains why Caravaggio created his work to highlight Saul's wrestling with his inner self. This would have been interesting…. [read more]

Art of Michelangelo in Relation to the Earlier Florentine Tradition Term Paper

… ¶ … Michelangelo on the art and culture of Florence during the 16th century one cannot ignore the corresponding influence of Medici family. The Medici family's power and influence in Florence and Renaissance Italy in general cannot be overstated. The Medicis were an aristocratic family that virtually ran all political and social affairs, and some would argue religious affairs as well, in Florence for nearly two centuries from the mid-1500s to the early-1y00s. Their influence spread all the way to the papacy in the Vatican with four Medici family members having ascended to become Popes and they put their mark on history as they beautified Florence by patronizing architecture and the arts. The Medicis started one of the finest art schools that ever existed in…. [read more]

Renaissance Davids / Dutch Portraiture Research Paper

… But beyond that, the difference between the two is vast: Donatello's David is lithe and boyish, the sword in his right hand looks too heavy for him to lift, and the head of the giant Goliath beneath his left foot serves even further to shrink him. Even if both Donatello and Michelangelo give David a somewhat insouciant pose -- perhaps each sculptor's way of demonstrating that the story of David is a story of being specifically beloved by God, in addition to a lesson about missile weaponry as a tactical advantage in asymmetrical hand-to-hand combat -- Michelangelo's is at least heroically insouciant. Donatello's David, by contrast, has his stone-throwing left hand cocked insouciantly at his hip -- but it only serves to emphasize how muscular…. [read more]

Michelangelo and Leonardo Da Vinci Term Paper

… ¶ … Judgements of Art

How does one judge a work of art? One could come to blows upon this topic regarding modern art, yet the reputation of Michelangelo and Leonardo da Vinci as masters of their respective crafts seems secure. Michelangelo's "David" is an almost perfect specimen of humanity. Yet beneath the rippling muscle, the uncertainty of pose and poise of the young man also communicates the artist's core message, the callowness and fear of the young warrior, not yet a king, who is about to slay Goliath with his small slingshot. This is why "Michelangelo's figures are both animated and restrained, and seem to possess great spiritual energy. His work presses toward the extremes of heroism and tragedy but is never false or…. [read more]

David Notable Religious Events Research Paper

… His version of the statue is a masterpiece because it is an amalgamation of his four strengths. Had he not be a Renaissance man of many talents, perhaps the statue would have reached the heights, fame, and adoration that it still enjoys in the modern period. David was not his final work by the least, but certain it was one of his greatest achievements and greatest exemplars of what Renaissance art & achievement overall.

Michelangelo's David proves to be quite innovative from the other statues and from other forms of Renaissance art.

For Michelangelo David proved to be a defining moment in his artistic career…Michelangelo was only twenty-six years old when he won the contract for David. He began work on Monday September 13th 1501…. [read more]

Art (History Art Ages) Discussion Essay

… Whereas David appears to merely be in the process of loading and firing a stone at Goliath, the subject of Myron's work is definitely contorted and twisted in a way that is most advantageous for tossing a discus long-range. As such, this sculpture depicts potential energy in the process of transforming to kinetic energy -- which is quite an accomplishment in a work of still art.

However, it appears as though Bernini observed this concept and attempted to replicate it on some level. Moreover, the fact that he chose to do so with a version of the classic Biblical figure David directly contrasts the previously existing sculptures of Davie by Michelangelo, Verrochio and Donatello, which are merely standing around. The overall effect of the difference…. [read more]

Art Since the Greek Kouros Research Paper

… The discus thrower is of particular note. Proportions of the body are ideal; the arms appear long but this is because the artist understands that the man is twisting around so that his left arm reaches around toward the right knee. The right arm is twisted around and holds the discus. Weaknesses in the rendition include the fact that the artist depicts ribs and some muscles like the deltoids and pectorals, but does not depict veins. Considering the sculptor was working more than a thousand years ago, the discus thrower is a remarkable piece of sculpture that shows why an understanding of human anatomy is critical to effective artwork.

A thousand years prior to the Renaissance, the ancient Greeks possessed a sufficient enough understanding of…. [read more]

Architecture and Sculpture Term Paper

… Architecture and Sculpture Compared

Architecture and Sculpture

The subjects examined will be Michelangelo's David and Chartres Cathedral. These two will be compared as to structure, materials, function, how constructed, type of structure, purpose and time. I also want to compare these two as to proportion and similarities in characteristics of visual and design elements.

Michelangelo Buonarroti (1475-'564) created the figure of the "David" between 1501 and 1504 in distorted proportion, as it was meant to be seen from below, standing high above the city on a piazza overlooking Florence. Today a copy of the "David" stands on the bluff, while the original is sheltered in a domed room. It is made of one piece of stone, Carrara stone, a single block of pure white marble…. [read more]

Statues of David I Choose Term Paper

… The right side shows David's movement, his stride is almost a leap as he aims his sling; seen from the front the pose is frozen, just one second before the fatal shot, and seen diagonally there is a rhythmic balance between movement and pose."

Contrary to Michaelangelo where David is self-sustained, here we have David, an unseen Goliath in the distance and the spectator who is caught in the middle, sandwiched as it were between David and the invisible Goliath.

A discussion of Similarities and differences


Both Bernini's and Michaelangelo's David's are life-size statues and both opposed conventions by having their David in alternate poses to that of previous statues.

Aside from the fact that both are statues and both portray the same saga,…. [read more]

Biography of Michelangelo Research Paper

… ¶ … Michealangelo

Michelangelo di Lodovico Buonarotti Simoni was born on March, 6, 1475 in Caprese, Tuscany and is presently recognized as one of the greatest artists of all time. He brought great contributions to the Renaissance period, and, along with Leonardo da Vinci and a series of other important artists that lived during the era, he managed to change society's perceptions in regard to art. Michelangelo's character was especially intriguing because of his ability to generate impressive artwork in all domains that he got involved in. His family was apparently interested in having Michelangelo pursue a career in financial-related domains, most probably with the purpose of continuing the family's tradition and because this was believed to be a profitable enterprise at the time. After…. [read more]

Catholic Religion and the Art Term Paper

… Michelangelo's Pieta

Obviously the Catholic religion has as its main focus the divine life and teachings of Jesus Christ. Also prominent in the Catholic faith has been His mother, Mary. Mary, mother of Jesus, has probably had more influence than any other single woman in history (Appleby, 1999).

Traditionally, Mary acts as an intercessor to her son Jesus, and has had particular appeal to those who are suffering. Mary herself suffered greatly (Batz.1997): can there any greater parental tragedy than seeing your child die before you do? This makes our image of Mary powerful. Her love has been immense, her suffering great, and now she acts as intercessor to our Savior. However, as Batz (1997) notes, Mary never sought power or recognition. Mary plays an…. [read more]

Roettgen Pieta Research Paper

… When Michelangelo sculpted his pieta in 1499, Mary had become a "beautiful young woman" who is "coolly offering us her son," rather than the unself-consciously anguished parent seen in the medieval German version.[footnoteRef:18] The Roettgen pieta is unafraid of ugliness. [18: Christia Mercer. "A Mother's Loss: The Medea and the Roettgen Pieta."]

Adams, James Luther, Yates, Wilson and Warren, Robert Penn. The Grotesque in Art and Literature: Theological Reflections. Wm. B. Eerdmans Publishing, 1997.

Chirico, Miriam M. "Dancing on the Edge of a Cliff." Chapter 1 in Beth Henley: A Casebook. Routledge, 2002.

Cook, John W. "What is Christian about Christian Art?" In Interpreting Christian Art: Reflections on Christian Art, Ed. Hornik, HeidiJ and Parsons, Mikeal Carl. Macon: Mercer University Press, 2004.

Gunderson, Jessica. Gothic…. [read more]

Renaissance Art Term Paper

… Whereas Donatello shows David post-battle, Michelangelo shows David pre-battle. The deliberate distinction serves a formal purpose in the works of these two Renaissance artists. For Donatello, it was more important to capture the satisfaction and victory in the body and form of David. For Michelangelo, showing the uncertainty and realistic tension in the body and mind of David was more important.

As Baskins (1993) points out, the Biblical hero of David "moves from king to lover to penitent," but most artists need to show "selected moments of the narrative," (p. 113). This means that artists like Donatello and Michelangelo choose what face, form, and figure to show in their sculptural work. Donatello chose to show David as the victorious and androgynous universal victor. Michelangelo opted…. [read more]

David Caravaggio the Figure of Caravaggio's "Saul Term Paper

… David


The figure of Caravaggio's "Saul" is sensual and a recognizably physical human being. He looks like a man one might see on the street rather than a Biblical prophet who has undergone a profound conversion. Although the focus of the painting is on the figure of Saul, this converted saint's changed inner life is only signified by the softly glowing light on his face, and the name of the painting. By locating Saul in 'reality,' and even suggesting that Saul might have been taken for an ordinary drunk lying in the street, Caravaggio reminds the viewer of the fact that the figures we read about in the Bible are not stick figures, with no human needs and fears or physicality. This is not…. [read more]

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